Catalog

(RE)CREATION from Navona Records and pianist Marko Stuparević is centered on the acts of creation and re-creation, observed through three piano sonatas of three Russian composers: all pianists, contemporaries, and representatives of some of the most notable works of 20th century Russian piano music. Performed by the award-winning pianist, each sonata is rich with advanced compositional techniques and the individual ideologies of their composers, crafted with cyclical forms representing the circle of life. The works of Sergei Rachmaninoff, Alexander Scriabin, and Nikolai Medtner are on full display, born and immortalized into the never-ending life cycle they mirror.

2020 VISIONS from the Fischer Duo celebrates the piano-cello group’s 50 years of performances together. The Duo is known for performing music from the likes of Beethoven alongside the works of emerging composers. The pair celebrated the anniversary of their formation in 1971 during the height of the pandemic; though the performance was given virtually, the resulting recording is a declaration of love and resilience. This album features three works commissioned for the Duo including Pulitzer Prize and GRAMMY Award-winning composer William Bolcom's Second Sonata, as well as three recent compositions from promising new composers. Expressing the pain of loss as well as the hope for a better tomorrow, 2020 VISIONS showcases this duo’s versatility and musicianship.

It is tempting to compare Matej Meštrović's compositional style to his great predecessors in the late-Romantic tradition. After all, much of the Croatian composer's style and techniques would be right at home in Rachmaninoff’s concertos, Tchaikovsky's works, or Prokofiev's neoclassicism; and the name of the album's first work, Danube Rhapsody, naturally evokes associations with Smetana's similarly river-themed Vltava. Add to all of this that Meštrović, like most of his great musical ancestors, is a talented virtuoso pianist, and it's easy to see why 3 RHAPSODIES is bound to meet with enthusiasm.

4 RHAPSODIES from critically-acclaimed pianist Kristina Marinova and Navona Records is a collection of vibrant, dynamic, and technically demanding works for solo piano. The album’s titular piece, Four Rhapsodies op. 11 by early 20th-Century composer Ernst von Dohnányi is rarely performed in concert given the level of musicianship it requires of pianists. Now, its combination of stark drama and dazzling virtuosic passages may be enjoyed by listeners everywhere.

Navona Records proudly presents 4 SEASONS FOR 3 PIANOS, a whirlwind transcription of Vivaldi’s masterful string concertos by Croatian pianist and composer Matej Meštrović. Performing with Hakan A. Toker and Matija Dedić on three pianos (and accordion), Meštrović thoroughly reimagines the four concertos, his work exceeding that of a normal transcription. The collection, in such a radical new form, becomes almost a whole new work.

Jonathan Sacks composer “Incantations: Book V” Recorded August 2003 with the Warsaw National Philharmonic Orchestra. Conducted by Carl St. Clair “Litanies” and “Ghost Horses” Recorded December 2006 at Futura Productions in Boston, MA. Produced by Bob Lord “5th (S)eason” Recorded July 2000 [...]

With a distinctly contemporary compositional signature that draws on minimalism and popular music of the late 20th century, and also recalls the 19th-century Romantic tradition, composer and pianist Scott Pender explores the expressive natures of four instruments - piano, violin, viola, and cello - on his debut solo release on Navona Records, 88+12.

A love of poetry lies at the core of Monica Houghton’s A BREATH OF AIR from Navona Records. She has set to music not only lyrical giants such as Whitman, Dickinson, and Hughes, but also some contemporary poets with their own magnificent lyrical gifts. These soul-touching works are performed to the highest possible standard by select world-class singers and accompanists. A perfect symbiosis on all fronts.

A CITY OF SILVER & A CITY OF FIRE from pianist Roberta Rust marked a monumental moment for classical music as Carnegie Hall’s first presentation of music by an American Indian composer performed by an American Indian artist. Written in celebration of two cities close to the composer’s heart, these works by Louis W. Ballard come with a generous helping of intricate musical narratives and sentimental tones that speak clearly and thoughtfully through Rust’s performance. Originally recorded in 1984, these pieces honor the late composer and spirit of those to whom they’re dedicated in this live recording.

Inspired by traditional melodies and cultural flavors, A GRAND JOURNEY gives us contemporary chamber works by Richard E Brown, Ovidiu Marinescu, and Mark G. Simon. Performed by internationally acclaimed Trio Casals, these distinct works immerse listeners in varying motifs drawn from diverse cultures, simulating a journey of melodic Korean folk patterns, Greek mythological icons, Irish fiddling, tango, and sensations garnered from the Black Sea and English countryside.

Composer Sydney Hodkinson's second Navona Records release, A KEYBOARD ODYSSEY, is a journey through the world of the solo keyboard, exploring the versatility and spirit of both the piano and organ through the composer's perceptive style.

Tenor Brian Smith Walters is a force to be reckoned with — endowed with a dark, thundering timbre and magnificent, towering style, he is the embodiment of a Heldentenor. His first Navona Records release is a challenging cross-section of chansons and Lieder spanning five centuries, and Walters navigates them with stunning bravado. It doesn't matter whether he sings Purcell or Copland, Schubert or Saint Saens, Tchaikovsky or Barber, Wagner or Szymanowski – the energetic grip Walters has on every single piece is awe-inducing, every rendition buzzing with vibrance and profundity. Accompanied here by only the piano, there is only one word to describe the tenor and A PHOENIX RISING: intense.

Praised for her "boldly inflected readings" (Jeremy Eichler, New York Times), "powerful technique" (Allan Kozinn, New York Times), and "purely pianistic panache" (Richard Dyer, Boston Globe), New York-based pianist Beth Levin has honed her interpretive and expressive skills since her days as a child prodigy in Philadelphia.

New York City native Michael Cohen surprises with a formidable cross section of his oeuvre, the splendidly and mysteriously named A SONG FOR SILENCED VOICES. Narrowly skirting traditional notions of (a)tonality, this selection of works leaps to and fro between collected serenity and impassioned melodicism. The setups are as diverse as the music: A SONG FOR SILENCED VOICES includes a string quartet, an excerpt of Cohen's opera Rappaccini's Daughter, a Prelude for Piano, a chamber/vocal work titled I Remember based on works from his musical Yours, Anne, as well as the album's namesake piece, which happens to be not a song, but a duo for cello and piano.

It's admittedly rare to hear contemporary classical music that delivers a shot of energy and drive like a cup of coffee: strong enough to wake you up, but in a way that is still pleasing to the senses. ADOLPHUS HAILSTORK boasts exactly this rare and invigorating combination — and the energetic performance by The Harlem Chamber Players adds an extra boost on top. Hailstork’s music blends African, American, and European traditions; there are parts that positively sound like something Shostakovich or Prokofiev might have written, perhaps echoes of Hailstork's studies with Nadia Boulanger in the 1960s. There are moments of contemplation, but if this album is anything, it's invigorating and profound.

ÆTERNUM is a tribute to music's infallible steadfastness against the mundane adversity of human existence. Brazilian-born pianist Eliane Rodrigues convinces with her forceful, furious interpretations of keyboard works by Johann Sebastian Bach and Ludwig van Beethoven – among them the latter's Fifth Symphony, grippingly arranged by Rodrigues herself.

Russian composer Alexander Scriabin is known to enthusiasts for his theory of musical colors, innovative piano works that pushed the boundaries of tonal writing, and for his untimely demise brought on by an unsanitary razor blade. American pianist and music professor Russell Hirshfield has now recorded an ambitiously-broad selection of the composer's early works which may well provide a novel talking point.

Following his 2022 release, STORIES OUT OF CHERRY STEMS, this latest collection of vocal music by Baltimore-based composer Peter Dayton reinforces his establishment as a mature and formidable talent in the world of art song. ALL IN THE SOUND captures the heart of the genre: duet between voice and accompaniment. Characteristically and integrally, Dayton’s songs exhibit internal compositional logics of pervasive rhythmic patterns and intervallic relationships that create music that still viscerally satisfies. The album takes listeners on a captivating journey through physical, emotional, and abstract imagery. Triumphantly, Dayton’s music realizes the poignancies possible in the duet that is art song.

On his debut Navona Records release, ALL THE WAY BACK, pianist and composer Vytautas Smetona presents a collection of keyboard repertoire that highlights his enthralling and committed interpretations of some of the great composers' masterworks as well as an example of his faculty as a cultivated and dynamic composer.

For Richard Fountain, piano music is as American as apple pie and baseball. On AMERICAN IVORY, his debut album on Navona Records, the well-versed pianist celebrates the variety and vitality of American art music by performing a decades-spanning collection of works by time-honored and contemporary composers alike.