Catalog

Since composer, conductor and musicologist Alicia Terzian founded Grupos Encuentros in 1978, the six-person group has garnered international acclaim for its success at bringing the music of avant-garde Argentinian and Latin American composers to the world. On 40 YEARS OF CONTEMPORARY MUSIC, their debut recording for NAVONA RECORDS, the group combines compositions from such well-known Latin American composers as Heitor Villa-Lobos, Alberto Ginaslera, and Terzian herself with works by an international array of composers that ranges from Anton Webern (Germany) to Luciano Berio (Italy) to Franz Schreker (Austria) to Pierre Boulez (France).

With a distinctly contemporary compositional signature that draws on minimalism and popular music of the late 20th century, and also recalls the 19th-century Romantic tradition, composer and pianist Scott Pender explores the expressive natures of four instruments - piano, violin, viola, and cello - on his debut solo release on Navona Records, 88+12.

Composer Dan Redfeld presents A HOPEFUL PLACE: A SONG CYCLE FOR SOPRANO & CHAMBER ORCHESTRA, his debut release on Navona records showcasing his nine-movement song cycle of the same name. A Hopeful Place follows a woman’s journey through life from birth to death—a life-cycle-song-cycle, as librettist John Gabriel Koladziej describes the piece.

New York City native Michael Cohen surprises with a formidable cross section of his oeuvre, the splendidly and mysteriously named A SONG FOR SILENCED VOICES. Narrowly skirting traditional notions of (a)tonality, this selection of works leaps to and fro between collected serenity and impassioned melodicism. The setups are as diverse as the music: A SONG FOR SILENCED VOICES includes a string quartet, an excerpt of Cohen's opera Rappaccini's Daughter, a Prelude for Piano, a chamber/vocal work titled I Remember based on works from his musical Yours, Anne, as well as the album's namesake piece, which happens to be not a song, but a duo for cello and piano.

It's admittedly rare to hear contemporary classical music that delivers a shot of energy and drive like a cup of coffee: strong enough to wake you up, but in a way that is still pleasing to the senses. ADOLPHUS HAILSTORK boasts exactly this rare and invigorating combination — and the energetic performance by The Harlem Chamber Players adds an extra boost on top. Hailstork’s music blends African, American, and European traditions; there are parts that positively sound like something Shostakovich or Prokofiev might have written, perhaps echoes of Hailstork's studies with Nadia Boulanger in the 1960s. There are moments of contemplation, but if this album is anything, it's invigorating and profound.

What do you get when you cross a composer, a bassist, and a conductor? It's no joke, and neither is Aleksander Sternfeld-Dunn. It is, however, a piece called Joker's Wild which opens up Sternfeld-Dunn's debut Navona Records release FIREWORKS, and it's a doozy, a crackerjack double concertino expertly crafted and written to showcase the talents of the Cameradschaft Duo. The piece won Best in Show from the Global Music Awards in 2012.

The chamber ensemble format has historically been able to intimately interpret works with a variety of emotional nuance, and retains flexibility to perform music with myriad influences. ALLUSIONS, an album of evocative chamber works, showcases the expressive and interpretive abilities of contemporary composition and features works by five composers.

The intersection of classical music and popular and folk music is where the journey begins for the Seattle-based Saint Helens String Quartet - consisting of Stephen Bryant, violin; Adrianna Hulscher, violin; Michael Lieberman, viola; and Paige Stockley, cello - exploring a sonic vision of American culture presented by four contemporary composers on their debut Navona Records release, AMERICAN DREAMS.

AMERICAN SCENES, from composer Samuel A. Livingston is, as its title suggests, a painterly tribute to America. The album’s title piece, Three American Scenes, is a three-movement suite that expresses the grandeur of the American west, the serenity of a mountain lake at dawn, and the bustle of a busy day in a large city. The album opens with Celebrating the Fourth, which depicts an American Fourth of July celebration. The final two selections feature works for concert band with a solo instrument – the flute, in Silvertube Variations, and the clarinet, in Balkan Dance. In that last selection, Livingston turns his attention beyond our shores, to the harmonies and rhythms of the folk music of the Balkan countries, especially Bulgaria and North Macedonia. Altogether, AMERICAN SCENES is thoughtfully-crafted and unabashedly jubilant, expressing appreciation for America and the world beyond with refreshing sincerity.

Globally recognized for its unique radio programming, innovative collaborations, and community outreach, All Classical Portland presents AMPLIFY, a response to the industry’s inequities in classical music recordings. The works of five contemporary composers are brought to light in this album, each infused with recollections of stories, cities, and movements that have made an impact along the artists’ journey. As the 1,000th album brought to life by parent organization PARMA Recordings, this important Navona Records release marks a monumental achievement in highlighting voices in classical music, and is a step in helping to change America’s playlist.

As the title of this album suggests, AN ARC OF QUARTETS gives listeners unique access to a continuum of composer Michael G. Cunningham’s intricate and inviting string music. Five international string ensembles present the album’s seven compositions, including Sirius Quartet from New York; The Moravian Quartet from the Czech Republic; the Millennium Quartet from Florida; and The Pedroia Quartet and New England String Quartet, both from Massachusetts.

Navona Records presents ANCESTRAL VOICES, the Apollo Chamber Players’ next installment in their 20x2020 project. 20x2020 is an initiative to commission 20 new folk music-inspired and multicultural works by the end of the decade. This fiery release comprises four 20x2020 works from composers Gilad Cohen, Arthur Gottschalk, Malek Jandali, and Javier Farias.

New from Navona Records comes AND THE SNOW DID LIE, composed by Hilary Tann and performed by Sirius Quartet. Tann, a Welsh-born composer living in the foothills of the Adirondack Mountains was inspired to write this commissioned work by a series of illustrations from the classic French-Canadian novel, Le Survenant. These images are included with the release of this digital single.

Following their 2023 United Kingdom Remembrance tour, The Syracuse University Wind Ensemble returns to the airwaves with two world premiere recordings on ANGELS RISING: MUSIC OF REMEMBRANCE AND LIGHT. The ensemble has commissioned dozens of new works for their genre, the two most recent being Frank Ticheli’s Angels Rising and Energy and Light by Syracuse’s own Natalie Draper, both of which commemorate the 35 Syracuse University students lost in the 1988 Lockerbie bombings. Draper and Ticheli’s tributes to the 270 total lives lost in the attack on Pan Am Flight 103 are bookended by performances of George Gershwin’s An American in Paris and Rhapsody in Blue in this Navona Records release, and are all available to experience in both stereo and Dolby Atmos immersive audio formats.

Blending vocal and orchestral elements across several movements, cantatas are notoriously difficult to compose. Benjamin Perry Wenzelberg has accepted the challenge with ANY OF THOSE DECEMBERS, setting poems by Jeanne Minahan to music. The result is intimate, aesthetic, and wistful — a tender embrace of lyrics and sound.  Scored for four solo singers with varying accompaniments, ANY OF THOSE DECEMBERS impresses on multiple fronts. But it isn't due to the excellent source material alone: the master performers in Lyric Fest bring both the lyrics and the composition to life. A wonderful collaboration, in which the whole is even greater than the sum of its parts, Wenzelberg’s work is “a cantata to make memories sing.”

ASCEND, the latest collaboration between PARMA Recordings and the Society of Composes, Inc., is an enthralling showcase of leading composers and performers from around the world. Featuring fantastic ensembles, and with works that reference far-flung locations and historical events, this album journeys fascinatingly through time and space as it compiles a competitively selected sample of today’s best compositions.

ASTRAL VINYL is a collection of the compositions of composer, arranger, performer and producer Stephen Barber. Barber's remarkably original music draws an inner conversation free from constraints to create eclectic works that invite emotional involvement and provide fresh perspectives towards music. The works on this disc range from a piece for string quartet to a fanfare for brass ensemble to a piece for soprano, piano and steel drum trio, all of which are uniquely and brilliantly imaginative.

Reed Chamberlin’s AVE MARIS STELLA is a rare 21st-century recasting of beloved motets and secular works from the 14th and 16th centuries. Works by du Fay, Gabrieli, de Machaut, and more are reimagined through a double lens — the time-held tradition of setting renaissance work for wind bands, and, especially to the genre, the addition of post-production audio effects. AVE MARIS STELLA’s impressive variety of auditory experiences are recorded at such a high level of performance that it is nothing but a complete delight, from track to track and as a whole body of work.

Navona Records is proud to present the debut commercial release from the critically acclaimed Coro Allegro, Boston's chorus for members and friends of the LGBT community. This album, AWAKENINGS, features two extraordinary works by composers from the Pioneer Valley region of Western Massachusetts: Shofar by Robert Stern, an intensely dramatic and deeply moving oratorio inspired by the four arresting calls of the shofar; and Why I Wake Early by Ronald Perera, with text drawn from the poetry of Mary Oliver.

An axiom is a self-evident truth. Everything on this album represents different aspects and shades of truth. On their debut recording, Axiom Quartet probes the soul and delivers a deeply satisfying statement on truth and inner fulfillment.