Catalog

DILLINGER: AN AMERICAN ORATORIO from composer Matthew Heap in collaboration with librettist Darren Canady dramatizes the life of notorious Great Depression-era bank robber John Dillinger. Seen alternately as both an enemy of the state and a folk hero, Dillinger’s story is a fitting backdrop to Heap’s nuanced exploration of class warfare and the American Dream. The oratorio focuses on Dillinger’s final days and is presented in a quasi-oratorio setting, much like the opera-oratorio form that Stravinsky used in Oedipus Rex. Despite its historical source material, the music is more relevant than ever, bringing to life the struggles of Americans feeling caught between social strictures and larger economic forces.

There are generally two ways one can face a crisis. One can give up, or one can persevere and use it to one's advantage. Choir director Dominick DiOrio definitely chose the latter during the pandemic, turning his reflections and sentiments about it into a profoundly engaging, almost philosophical choral album titled WHAT IS OURS. DiOrio conjures a formidable cross-section of music by a range of contemporary composers that not only reflects the diversity and multiplicity of modern-day America, but also its underbelly of struggle, challenge, and an eventual triumph of humanity.

THE LEADER from Canadian-American composer Karim Al-Zand is at once timeless and also deeply relevant for the age we live in. A commentary on the rise of fascist tyranny, its titular piece tells the story of a buffoonish charlatan who is adored despite his ridiculous behavior, echoing concerns of the modern day in this chamber opera based on Eugene Ionesco's 1953 satire Le Maître. Another vocal work, Songs from the Post Truth Era similarly comments on the political realities (or unrealities) of our time. The album features several other chamber works by Al-Zand including his Six Bagatelles, with music inspired by the art of Robert Motherwell (1915–1991).

HARMONY OF DISSONANCE brings together, juxtaposes, and intertwines the disparate singing styles of the regions of Dalmatia, which remain stylistically and performatively distant even today. While these musical worlds present seemingly irreconcilable musical and cultural differences, they are all connected by polyphonic singing, which forms the core of this collaboration between the Harmonija Dissonance Ensemble and the Jazz Orchestra of the Academy of Music in Zagreb.

Navona Records is proud to present the debut commercial release from the critically acclaimed Coro Allegro, Boston's chorus for members and friends of the LGBT community. This album, AWAKENINGS, features two extraordinary works by composers from the Pioneer Valley region of Western Massachusetts: Shofar by Robert Stern, an intensely dramatic and deeply moving oratorio inspired by the four arresting calls of the shofar; and Why I Wake Early by Ronald Perera, with text drawn from the poetry of Mary Oliver.

RASPBERRY MAN is an Enhanced EP featuring two works for narrator and instrumental ensemble by composer William Vollinger. The first, Raspberry Man, draws its inspiration from a man who made a loud raspberry noise at passersby outside a bar in New York. The second, Emmanuel Changed, draws from the change Vollinger witnessed in a troublesome chorus student.