Catalog

The Portland Youth Philharmonic debuts two new symphonies by acclaimed contemporary composers Lera Auerbach and Polina Nazaykinskaya on FIRST SYMPHONIES - PREMIERE RECORDINGS. Nazaykinskaya’s first symphony, April Song, exposes the tenacity of the human spirit, rich winter melodies blooming into the rumblings of a welcome spring storm as the overarching narrative depicts a triumphant rise from the ashes, defining the human experience. Defining and redefining is likewise no stranger to Auerbach, who encompasses both of these in Chimera, a symphony echoing themes and particularly adored motifs from her ballet The Little Mermaid. Chimera is a complex grafting of one idea onto the next, inspirations from Greek mythologies imposed onto a distinctly transformative sound. “Redefines” falls short of proper description. Auerbach reinvents, readjusts, rebuilds, and renews an entirely new musical existence.

Lauded by Gramophone Magazine for the “well-drilled performances” delivered in their first installment, the Malta Philharmonic Orchestra returns with CONTEMPORARY COLOURS VOL 2, the long-awaited follow up to their 2020 Navona Records release. A keen promoter of Maltese composers, the orchestra brings to life works that explore themes of Greek tragedy, religious symbolism, existential philosophy, struggles that shape the human experience, and more. Conductor Miran Vautopić leads the celebrated ensemble through this exhilarating display of Maltese virtuosity.

Emerging from Gustav Hoyer’s innate desire to push the boundaries of his personal musicality, SYMPHONY NO. 1 is the cumulation of a lifetime of affectionate study of orchestral craft. Mirroring Hoyer’s own musical passage from then to now, and commenting on the strange, uncertain state of our world following a pandemic, Symphony No. 1 dances a path of regaining hope in the face of anxiety and strife. Vast instrumentation conveys tense uncertainty and glorious resurrection in a shattering finale that ensures Hoyer’s first symphony will be regarded as a triumph for the composer and an unforgettable experience for listeners.

ROYAL CORONATION OVERTURE by Dr. Patrick Brill is a contemporary take on the program overture model of the 19th Century, a genre most commonly heard in concert hall performances, as well as church services and royal coronation ceremonies. Dr. Brill, an expert in Medieval and Renaissance music, capitalized on his extensive background in classical music and experience crafting large-scale orchestral pieces to compose this opulent overture. This studio recording of the piece is also available in a Dolby Atmos immersive audio format, placing listeners directly into the lavish fanfare by which this music is historically accompanied. Carrying on the 200-year tradition of the program overture, this work is a majestic delight for the modern ear.

Music can possess the power to take hold of our emotions, guiding us along an imagined journey that stirs our inner being, a concurrently unique and familiar experience. Critically-acclaimed composer Rain Worthington writes music to captivate the listener, creating textural and lyrical worlds that are inhabited by various colors and tones. In this live performance of her piece Dream Vapors Suite from the Armenian State Symphony Orchestra, the composer presents intense dreams, intangible perceptions, and musically evocative elaborations.

Embracing the same spirit of innovation and artistic exploration that captivated audiences in its previous installments, SYMPHONIC CHRONICLES VOL III unites a diverse assembly of today’s leading composers and performers. This edition offers listeners a variety of themes and moods to explore, from perspectives of an ancient civilization to Croatian folklore, remembrance of those we’ve lost, odes to the tranquility and vastness of our natural world, and more. Performed by several celebrated ensembles, each piece in this Navona Records release lends a fresh perspective and unique voice to the celebrated tradition of classical orchestral music.

The violin concerto is a challenging setup to write for: it beckons with promises of both might and fragility. Composer Christopher Alan Schmitz is well-versed in both the theoretical and practical aspects of composition: his resulting VIOLIN CONCERTO AND SYMPHONY NO. 1 gets the balance just right. The tonal language is reminiscent of Bruckner and Mahler, as raw emotion mixes with splendor. The ultimate success of this precarious, heady concoction rests on the shoulders of conductor Stefan Sanderling and particularly, violinist Amy Schwarz Moretti, member of the acclaimed Ehnes Quartet. Stirringly written and performed to perfection, a success it is.

Produced with audio captured from two live concerts held at Merrill Auditorium in Portland ME, the Portland Symphony Orchestra presents a world-class recording featuring works by three living Mexican composers on MÁSCARAS. The PSO makes their opening statement with a newly-revised version of Enrico Chapela’s 2017 work Rotor, an intense rhythmic etude, followed by Arturo Márquez’s Máscaras, a concerto for harp and orchestra inspired by ancient pre-Hispanic Mexican tradition. Ángeles de Llama y Hielo by Ana Lara follows suit, a nod to a 16th century German woodcut print and the cosmological philosophy that inspired it. Polished, authentic, and strong, the performances on MÁSCARAS reflect the Portland Symphony Orchestra’s rich musical energy and commitment to ever broadening its horizons.

Renowned composer Gustav Hoyer comes to Navona Records with an ambitious and harrowing seven-part orchestral setting of Samuel Taylor Coleridge’s THE RIME OF THE ANCIENT MARINER. Hoyer melds the spoken word and musical text-setting traditions into a hauntingly atmospheric narrative concerto, the Budapest Film Orchestra coming to life as supernatural forces and creatures in the text. Meanwhile, the narrator speaks of the Mariner’s eternal penance, a stark contrast to the roiling orchestral timbres that puts listeners in the shoes of the frightened wedding guest fated to hear the Mariner’s tale. An undoubtedly ghoulish but incredibly sophisticated musical illustration of Coleridge’s famed narrative, Hoyer is no-holds-barred in his talent for the narrative orchestra, producing a musical journey packed with all the intensity and horror of the text from which it hails.

Hailed by critics as a “descriptive and evocative” collection of contemporary classical music, the SYMPHONIC CHRONICLES series returns with a brand new roster of celebrated composers from a wide variety of backgrounds and influences. Anthony Wilson’s Númenor examines the sudden shifts in society that can bring us from peace to turmoil, while Octavian Nemescu’s The Inner Staircase courageously confronts forces of tyranny. In contrast, Stearns Wharf by Michael Roush follows the journey of two lovers in an impassioned pas de deux, while Margaret Brandman’s Gentle Summer Rain comments on the ethereal beauty found in juxtaposing aspects of nature. With performances by the Royal Scottish National Orchestra, Janáček Philharmonic Ostrava, Brno Contemporary Orchestra, and Moravian Philharmonic Orchestra, SYMPHONIC CHRONICLES VOL II offers listeners a variegated palette of new music.

Composer Vincent Kennedy and the RTÉ Concert Orchestra bring MUSIC OF PEOPLE AND PLACE to Navona Records. Selected from some of his most beloved works and inspired by the people, mysticism, mythology, history, and landscapes of his native Ireland, this album is a rich collection of 19 stories, each appealing to the human spirit with sublime performances by the superb musicians of the RTÉ Concert Orchestra.

Pianist Fanya Lin's RHAPSODIC is a masterful exploration of two of the most iconic pieces in piano repertoire. With her deft touch and nuanced interpretation, Lin lends an entirely new dimension to George Gershwin's Rhapsody in Blue and Rachmaninoff's Paganini Variations. From the opening notes of Gershwin's masterpiece, Lin's playing proves both powerful and sensitive, capturing the complex emotions of the iconic American composer with great vividness. Some musicians might be hard-pressed to switch seamlessly into the mind and heart of the great Russian, but Lin's virtuosity is on full display as she navigates the intricate variations with vigor and precision, effortlessly enticing the listener into their bittersweet, heady romance.

Light the fireplace, don your coziest sweater, and let the festive sounds of DASHING VOL. 4 from Navona Records whisk you away on a joyful journey through holiday music both new and familiar. Featuring a fresh line-up of contemporary composers, this edition of the series fuses the magic and warmth of holiday tones with the modern flair of today’s classical music, making for a neatly-packaged gift that's sure to spark the spirit of the season. From new choral and orchestral expressions to cherished melodies and bluesy interpretations of classic tunes, DASHING VOL. 4 spares no expense in merriment and good cheer.

Composer Sophie Dupuis presents dazzling, profoundly eclectic compositions inspired by visual art on COMME BON LUI SEMBLE. Dupuis' musical language is measured, almost minimalist, but the colors she weaves into bright tapestries of sound certainly aren't. Pop culture or high culture, she draws inspiration from numerous sources — leading to compositions that are at once highly abstract, yet highly descriptive. It's a tightrope to walk, and at dizzying heights, but thankfully, Dupuis is not susceptible to musical vertigo.

Navona Records is proud to present SUBLIMITAS, a symphonic album bringing to life the posthumous works of composer Michael G. Cunningham. Performed by the Janáček Philharmonic Orchestra, Cunningham’s 5th and 6th Symphonies soar with spirited flair and clarity. These works are thoughtfully paired with his Mountain Poem, a jubilant and moving piece composed with musical peaks and valleys that simulate a thrilling adventure. As a composer whose works span 11 previous Navona Records releases, the works presented on SUBLIMITAS make for a delightful final parting gift from an artist who showed an unwavering dedication to sharing his music with the world.

Hot on the heels of its preceding installments, DIMENSIONS VOL. 5 from Navona Records highlights the works of seven celebrated composers. These orchestral pieces showcase a broad range of innovative compositional styles featuring traditional and modern influences, drawing inspiration from an opera about a mystical wolf, moments of uncertainty and reflection in life, the music of Handel, and traditional Latvian folk music, just to name a few. Leveraging musical passion and orchestral ferocity, DIMENSIONS VOL. 5 offers listeners a broad example of some of the most exciting work in contemporary orchestral music.

WALTON & BARBER from famed British violinist Thomas Bowes celebrates the works of two early 20th century composers, William Walton and Samuel Barber. The album includes Walton’s Concerto for Violin and Orchestra and Two Pieces for Strings from Henry V, as well as Barber’s Concerto for Violin and Orchestra op. 14 and the touchstone Adagio for Strings op. 11. Throughout the album, Bowes’ breathtaking virtuosity is on full display. His playing, which has been characterized by Gramophone Magazine as “deeply human” and “unusually communicative,” teases out subtleties and rises to the challenge of the most technically-demanding passages. With the violin at centerstage, WALTON & BARBER brings the full power of the orchestra to bear.

DANCING IN THE PALM OF GOD'S HAND from J.A. Kawarsky and Navona Records isn't at all a typical worship album; rather, it's a cross section through Kawarsky's oeuvre that encompasses minimalist solo pieces, intimate chamber music, and grand orchestral works. The themes on this album are vast and sweeping, at once lavish and carefully measured, reflecting the great and the minute, like an interplay between human and God. It's an almost philosophical experience, and one needn't be religious to enjoy its uplifting qualities.

SYMPHONIC CHRONICLES VOL I from Navona Records features the works of celebrated living composers from a wide variety of backgrounds and influences. Performed by the London Symphony Orchestra and Royal Scottish National Orchestra, the music touches on topics ranging from jazz to the COVID pandemic, racial injustice, and more. Steve Law’s melodic and rhythmic Piano Concerto draws inspiration from Gershwin, Rachmaninoff, and Prokofiev while assimilating the influences of jazz, pop, and minimalism. In Barbara Jazwinski’s Fantasy on Jazz, the composer meditates on the complex and ever-evolving music of New Orleans. Simon Andrews’ Interlude No. 3 from “The Scars On His Back” recounts the story of legendary Native American freedom fighter Po’pay, and the revolt against the Spanish colonists he helped inspire. These examples are just a taste of the evocative works found on SYMPHONIC CHRONICLES VOL I.

The accordion surely is an evocative instrument, its mere timbre conjuring mellow images of the Italian Riviera or cobbled Parisian streets. One would expect it to be quite out of place in the relatively formal environment of the classical concert hall – and be sorely mistaken, as far as Richard Galliano is concerned. The versatile French composer and accordion virtuoso sets out to elegantly shatter expectations – and his new album MADREPERLA proves him right. MADREPERLA's brilliance stems not only from the sheer audacity of juxtaposing the accordion with a full orchestra, nor from the fact that it succeeds spectacularly in doing so. What's most intoxicating is Galliano's fusion of symphonic writing with eclectic styles of dance – the pavane, the mazurka, the milonga, the forró, the waltz – whose particular zest, allure and élan pour forth torrentially from these compositions. A triumph.