Composers

Diane Jones’ music has been performed by The Relâche Ensemble, The Da Capo Chamber Players, Trio Casals, and Flautet. She has been commissioned by Mélomanie, the Society for New Music, and the Matilda Joslyn Gage Foundation, and she recently completed a commission from the Syracuse International Film Festival to score the 1919 silent film, “The Doll,” screened during the 2019 festival with a live ensemble.

Described by American Record Guide as “...a composer whose heart and care are palpable... who has a voice that deserves to be heard often” and by the Baltimore Sun as having “a refined sense of melodic arcs and harmonic motion,” Peter Dayton’s compositions have been performed across North America and in Europe.

Welsh-born composer Hilary Tann lived in the foothills of the Adirondack Mountains in Upstate New York where she was the John Howard Payne Professor of Music Emerita at Union College, Schenectady. Her compositions have been widely performed and recorded by ensembles such as the European Women’s Orchestra, Tenebrae, Lontano, Marsyas Trio, Thai Philharmonic, Royal Liverpool Philharmonic, and BBC National Orchestra of Wales.

Alla Elana Cohen is a distinguished composer, pianist, music theorist, and teacher who came to the United States in 1989 from Russia. Graduating from the Moscow State Tchaikovsky Conservatory with the highest honors of distinction, Cohen lives in Boston and is a professor at Berklee College of Music.

Dušan Bavdek (b. Slovenia, 1971) is a composer and professor of composition and music theory as well as a vice dean for international affairs at the University of Ljubljana Academy of Music. His compositional opus encompasses pieces for symphony orchestra, string orchestra, wind orchestra, opera, ensembles, chamber groups, and soloistic performance.

A native of Houston, Andrew Schneider is a composer, pianist, and vocal coach whose virtuosic technique and daring interpretation has cemented his reputation among clients as a fearless musician. His extensive collaborative activity encompasses early music, standard operatic and art song repertoire, as well as contemporary music. Proficient for coaching purposes in French, German, Italian, and Latin, as well as adept with less frequently encountered languages, especially Slavic ones, Schneider enjoys using his considerable linguistic skill to help make challenging texts accessible to his clients. His wide ranging musical activities also include harpsichord and organ performance and conducting.

Ashlee T. Busch is a composer, performer, remixer, arranger, and educator based in Grand Rapids MI. Busch most enjoys collaborating with other artists in poetry, dance, installation art, video, and more. Such collaborations have included residencies with East Coast and Midwest universities, as an artist with Grammy-award-winning PARMA Recordings, publishing with mixed ensemble music education publisher Leading Tones LLC, publishing with digital choral music company Zintzo LLC, and collaborations with ensembles premiering her works across the United States.

The New York Times' head critic Anthony Tommasini raved about Keith Lay as "a composer to watch for," and Gramophone magazine has described his music as "unapologetically emotional.” Lay explains, "My life's goal is to share my reverent wonder about sound and the connections to our nature made available through listening. Every new piece is a joyful opportunity to construct a fresh musical method, technique, or invention."

Shara Nova has released five albums under the moniker My Brightest Diamond and has composed works for yMusic, Brooklyn Rider, Nadia Sirota, Conspirare, Cantus Domus, Brooklyn Youth Chorus, Roomful of Teeth, and many community choirs, as well as Aarhus Symfoni, North Carolina Symphony, Indianapolis Symphony, American Composers Orchestra, and the BBC Concert Orchestra, among others.

Jeffrey John Hall, a composer residing in Tucson AZ, was born in Milwaukee WI on May 22, 1941. His education includes both M.A. and D.M.A. degrees from Columbia University. He has written works for computer sound, voice, chamber ensembles, piano, and chamber orchestra.

Born in Winnipeg, Canada, Sydney Hodkinson (January 17, 1934 – January 10, 2021) led an impressive career in conducting, composition, and music education, having received a bachelor’s and master’s of music from the Eastman School of Music, and a doctorate of musical arts from the University of Michigan in 1968.

Edward Hart’s music has been performed in the United States, Latin America, Africa, and Europe including performances in New York, Los Angeles, Kiev, Vienna, Mexico City, Buenos Aires, Johannesburg, Boston, and at the Kennedy Center in Washington DC. Reviewers have described his music as “mesmerizingly rich,” “clearly visual,” and “an accessible style that clearly communicates to audiences.” His works include concerti for violin, piano, string quartet, guitar, various orchestral works, chamber music, solo piano compositions, choral music, and art songs.

Robert Gross’s 2021 album Chronicles was hailed as “fresh and exciting” by Klang New Music; they were “wholly impressed with what Gross and his collaborating musicians and engineers accomplished.” Gross received his D.M.A. in music composition at University of Southern California where he also received a graduate certificate in Scoring for Motion Pictures and Television. He also received an M.A. in Music for Film, Television and Theater from the University of Bristol, an M.M. in Music Composition from Rice University, and a B.M. in Music Composition from Oberlin Conservatory. He has taught graduate and undergraduate level music theory at Rice University.

Craig Morris has been composing music since the age of 11. He studied composition with Shirley Bloom, Kevin Scott, and Joelle Wallach and also studied violin, piano, and voice. He played violin with the Bronx Symphony Orchestra for many years and presently plays with the Ridgewood Symphony. He has sung professionally as a cantor for over 40 years. His music has been performed by the Ridgewood Symphony, the Bronx Symphony Orchestra, the Brno Philharmonic, the Janacek Philharmonic Orchestra, the Fifth International Music Festival of Buenos Aires, and the Chamber Music Society of Formosa. His compositions include piano sonatas, orchestral suites, violin, cello and clarinet concerti, a concert duet for soprano and tenor, choral compositions, and a sacred service for the Sabbath. Arise My Love and The Rubaiyat were chosen as finalists in the 2010 Meistersingers Choral Competition.

Laurence Sherr is recognized for his uniquely interconnected work on music related to the Holocaust, uniting his activities as composer of remembrance music, researcher, lecturer, producer of remembrance events, author, and educator. He has presented this work in the Czech Republic, Germany, Poland, England, Norway, San Marino, Israel, Australia, New Zealand, Brazil, and across the United States. Containing “sacred beauty and abundant lyricism,” and “moments that convey energy, lyricism, drama, and bravado” (EarRelevant), Sherr’s album – FUGITIVE FOOTSTEPS: REMEMBRANCE MUSIC – was awarded a Gold Medal in the Global Music Awards. He designs events that feature remembrance music enriched by stories of Holocaust-era creators and concurrent musical and historical developments.

Mexican composer José Elizondo received degrees in Humanities, Electrical Engineering and Computer Science from the Massachusetts Institute of Technology (MIT). At Harvard University, he studied musical analysis, orchestration and conducting. As an engineer, Elizondo’s work focuses on speech-recognition technology, which combines his interests in computer science, linguistics, natural language processing and artificial intelligence.

Held to high regard as a composer, pianist, and educator throughout his life, Tomáš Svoboda was a true musical force, whose contributions to the artistic community of Portland and beyond have cemented him as a cultural icon in Oregon’s contemporary classical music scene.

Anthony Iannaccone (b. New York City, 1943) studied at the Manhattan School of Music and the Eastman School of Music. His principal teachers were Vittorio Giannini, Aaron Copland, and David Diamond. During the 1960's, he supported himself as a part-time teacher (Manhattan School of Music) and orchestral violinist. His catalog of approximately 50 published works includes four symphonies, smaller works for orchestra, several large works for chorus and orchestra, numerous chamber pieces, large works for wind ensemble, and several extended a cappella choral compositions.

Elliott Miles McKinley’s music has been performed throughout the United States, Canada, and Europe. Commissions include those from the Pittsburgh New Music Ensemble, the Czech Philharmonic Chamber Music Society, the SOLI Chamber Music Ensemble, Transient Canvas, Hub New Music, the Semiosis String Quartet, the Estrella Consort, the Janàček Trio, and the Martinů String Quartet. His orchestral works have been performed by the Minnesota Orchestra, the Warsaw Philharmonic, and the Czech Radio Symphony, and his music has been featured on international festivals including the Ernest Bloch Music Festival, the SPARK Electroacoustic Music Festival, Society of Music Inc and College Music Society Conferences, the North American Saxophone Alliance National Conference, and the Contemporary Music Festival at Bowling Green State University.

Judith Lang Zaimont's music is often cited for its immediacy, emotion and drama. Her distinctive style-strongly expressive, sensitive to musical color and rhythmically vital-is evident in even her early music. The New York Times described it as "exquisitely crafted, vividly characterized and wholly appealing," and perhaps for these reasons her music has consistently drawn performers from around the globe and several of her works have achieved repertoire status.