Artists

Robert Fleisher’s music has been heard throughout the United States and in more than a dozen other countries and is available on Albany, Capstone, Centaur, Navona, Neuma, Petrichor, Phasma, PnOVA, Sarton, and SEAMUS labels. His acoustic works have been praised as “eloquent” (Ann Arbor News), “lovely and emotional” (Musicworks), “astoundingly attractive” (Perspectives of New Music), and “ingenious” (The Strad).

Avner Finberg is an Israeli American composer and violinist. His music reimagines traditional musical forms and ideas using fragments and stylistic references to wide-ranging sources, while also drawing upon cutting-edge contemporary music techniques. Finberg’s debut album, THE FOUR SEASONS OF ISOLATION, was hailed as “intriguing, entertaining and thought-provoking” by Gramophone Magazine. His music was described by the late composer Steven Stucky as “refined, mature work of impeccable technique, original voice, and considerable ambition.”

Brian Field’s music is an eclectic fusion of lyricism and driving rhythm that brings together elements of post-romanticism, minimalism, and jazz. Field has received a host of awards, including the RMN Classical recording prize, the Benenti Foundation recording prize, Briar Cliff Choral Music Competition (first prize), the Victor Herbert ASCAP Young Composers’ Contest (first prize), among many others.

Shyly courting the limelight, composer and librettist Edward Ficklin focuses his creative energy on the various forms of music theater. He has realized his works in a number of unusual venues, like a store window near Grand Central Station and a vacant bank lobby near the World Trade Center (with the support of the Lower Manhattan Cultural Council and the September 11th Fund). His work has also been presented by American Opera Projects (Brooklyn, NY), Opera Company of Astoria (Astoria, NY), Little Opera Theatre of New York, the Spring Fever Festival (New York, NY), David Parker/The Bang Group (a collaboration with choreographer Lise Brenner) and Opera Vista (Houston, TX).

Lyric Fest has been hailed in the press as “An irresistible mix of high art and humane feeling... As entertaining as a well-managed party” (Broad Street Review). Founded in 2003 with the goal of celebrating and revitalizing the art song tradition, it is the only performing arts organization in the Mid-Atlantic region with a primary focus on song in all its varied expressions. 

With a charismatic blend of technical flair, polish, and grace, Portuguese-Canadian clarinetist Wesley Ferreira is widely considered a gifted expressionist. Equally at ease performing masterworks and contemporary repertoire, he has been praised by critics for his “beautiful tone” and “technical prowess” (The Clarinet Journal) as well as his “remarkable sensitivity” (CAML Review), and Fanfare Magazine notes that he is “clearly a major talent.”

Nina Feric, born in Zagreb, Croatia, began her musical studies at the age of 6. She obtained her Master of Music Degree in Piano Performance and Piano Pedagogy from the Music Academy of the University of Zagreb (Croatia) in the class of Prof. Veljko Glodic, and continued her studies at Postgraduate Course in Music Disciplines at DAMS Bologna (Italy). 

Frank Felice (b. 1961) is an eclectic composer who writes with a postmodern mischievousness: each piece speaks in its own language, and his works can be by turns comedic/ironic, simple/complex, subtle/startling, or humble/reverent. Recent projects of Felice’s have taken a turn toward the sweeter side, exploring a consonant adiatonicism.

Hailed by John Williams as “an outstanding cellist and truly dedicated artist,” Emmanuel Feldman performs in the United States and abroad as a soloist, chamber musician, and composer. Described by Gramophone as “an artist who combines communicative urgency with tonal splendor,” Feldman’s recent release Our American Roots (Delos) includes Pulitzer Prize winning composer George Walker’s cello sonata. An enthusiastic collaborator, he has partnered in a wide range of performances with Bobby McFerrin, the Mark Morris Dance Group, Verona String Quartet, and Boston Pops. 

Sarah Feigin, 1928 – 2011, was born in Dvinsk, Latvia. A precocious child, her musical talent became apparent in the early age of two, as she began to replicate melodies on the piano without instruction.

Mike Fansler is Professor of Music and Director of Bands at Western Illinois University in Macomb IL, where he provides direction and leadership for its comprehensive band program. He serves as conductor of the university Wind Ensemble and Chamber Players and teaches graduate and undergraduate conducting. He has served Western Illinois University since 2001.

“Adventurous and passionate,” (The New Yorker) Ukrainian-born American pianist Inna Faliks has made a name for herself through her commanding performances of standard piano repertoire as well genre-bending interdisciplinary projects, and inquisitive work with contemporary composers. After her acclaimed teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed on many of the world’s great stages, with numerous orchestras and in solo appearances. Faliks is currently Professor of Piano and Head of Piano at UCLA. Critics praise her “courage to take risks, expressive intensity and technical perfection” (General Anzeiger, Bonn), “remarkable insight” (Audiophile Audition),“poetry and panoramic vision” (Washington Post), “riveting passion, playfulness” (Baltimore Sun), and “signature blend of lithe grace and raw power” (Lucid Culture).

Francis Fairman (b. 1923) was born in Annapolis MD. Growing up in a musical family, his father played the violin, his mother the piano, his brother the trumpet, and his sister the violin, Fairman was exposed to music at an early age; he had his first piano lesson in Pittsburgh at the age of 5, and was soon able to sight read and play Beethoven's Sonata Pathetique Op. 13. At age 10, his family moved to Philadelphia, where he continued music lessons under Ms. Gertrude Hamilton, a Curtis Institute graduate.

Atlanta-born Margaret Fairlie-Kennedy (b. 1925) has been commissioned by many contemporary dance companies and chamber groups, and worked with noted choreographers Takehiro Ueyama in New York, Bill Bayles at Bennington College, and Peggy Lawler at Cornell University. Her has a strong rhythmic drive at its core.

Composer Noam Faingold’s music has been described as "...lyrical…," "...exhilarating…," and "...a tour-de-force of Jazz melded with Classical..." by sources as varied as The New York Times, The BBC, Downbeat Magazine, and The Tulsa World among others. His crossover ensemble Burning City Orchestra’s debut album was described as "21st century acoustic electric art music” (Rich Fisher, Public Radio Tulsa).

Ray Fahrner composes in eclectic styles and conducts all manner of music in Cambridge MA. Fahrner began his composition studies with Robert Wason and Arnold Franchetti at Hartt College of Music, University of Hartford, subsequently studying with Scott Huston and Norman Dinerstein at the College-Conservatory of Music, University of Cincinnati, where he received his doctorate in 1980.

EXIGENCE is the professional vocal ensemble of the Sphinx organization, led by founding conductor Eugene Rogers and composed of vocal artists including solo performers, educators, conductors, and composers. The name EXIGENCE is inspired by the definition of the word — “an urgent need or demand.” Their mission is to promote excellence and diversity through choral music within Black and Latinx communities by creating a platform for soloists and composers of color while inspiring and challenging audiences around the country and world.

Michael J. Evans is an American composer based in Washington DC. He has recorded with pianist Karolin Rojahn, Sirius String Quartet, Janaček Philharmonic, Moravian Philharmonic. St Petersburg State Symphony Orchestra, and Kiev Philharmonic. Living in DC has had a profound influence on his music. Many of his works explore, or are inspired by LGBTQ, environmental, and social justice issues. His recent projects are focused on multimedia: combining music, literature, and video.

Adam Estes is associate professor of music at the University of Mississippi, where he teaches saxophone, coaches woodwind chamber ensembles, and teaches woodwinds methods courses. Prior to working in Mississippi, he was assistant professor at Minot State University. Formerly a band director in the public schools in Mason TX, Estes has also held posts as visiting professor of saxophone at Furman University and the University of South Carolina, as well as instructorships at Presbyterian College and the South Carolina Governor’s School for the Arts and Humanities. He is the founding member of the Assembly Quartet, which celebrated their 20th year in 2023, and maintains an active performance schedule as a soloist, chamber musician, and orchestral musician. Abroad, his performing career has taken him to venues in Scotland, Ireland, Austria, Switzerland, France, and Belgium. Estes is a Légère Endorsing Artist, Yamaha Performing Artist, and has recorded with PARMA Recordings, Albany Records, AMP Recordings, Mark Records, and MSR Classics.

Joanna Estelle (Storoschuk) is a Canadian composer, lyricist, and arranger, born of Ukrainian parentage. Her music has won critical acclaim from Parliament Hill, Ottawa (Canada) to London (United Kingdom), Barcelona (Spain), Carnegie Hall (New York City), and elsewhere around the world. Estelle studied classical piano and theory with the Royal Conservatory of Music (Toronto) as a young person, but her parents deterred her from pursuing music as a career. Instead, she graduated in Psychology and English (Brock, 1972), then went on to study management accounting. However, her enthusiasm for music never waned.