Artists

Since 1989, Jan Jirásek’s works have been presented on numerous stages and festivals worldwide. Jirásek composes music for major music houses and interpreters. Examples include his Bread and Circuses composition for six players on percussion instruments (Munich Biennale, 1992), a postmodern arrangement of J.S. Bach’s St. Luke Passion (Munich Biennale, 1996, Minneapolis MN, 2000), Dance with the Universe concert for the organ and orchestra (Portland Chamber Orchestra, 2012), Missa propria choral composition (Prague, Spring 1994 and 2014, Carnegie Hall, New York, Lincoln Center, New York, Avignon Festival, France etc.), Fragile Balance/Letter to Heaven (Vega String Quartet, Atlanta GA, 2012), King Lávra (micro-opera, Khorikos New York NY, 2013), and other works.

Multi award-winning composer and pianist Christopher Jessup is an artist of formidable prowess. Jessup has garnered acclaim for his “imaginative handling of atmosphere” [Fanfare] and his “high standard of technique” [New York Concert Review], cementing himself as one of the foremost composer-performers of his generation.

Ryan Jesperson is a composer whose music is steeped in the modern practice of blurring genres and skewing expectations. Ryan holds degrees from Washington State University and The Hartt School and earned his doctorate from the University of Missouri-Kansas City, where he was a Chancellor’s Doctoral Fellow and recipient of the 2011 Outstanding Dissertation Award.

Jennifer Bouton has performed around the world as a guest artist, clinician, and orchestral musician. A member of the Milwaukee Symphony Orchestra since 2011, she performed two seasons with Lyric Opera of Chicago, and has played guest roles with the Chicago Symphony and Detroit Symphony Orchestras, among others. In 2019 she won an extended appointment with the Australian Ballet and Australian Opera in Melbourne, and was invited to become a permanent member of Orchestra Victoria.

Barbara Jazwinski’s music has been heard throughout North America, Europe, and the Far East. Her portfolio, influenced by her Polish heritage and by the culture of New Orleans, her home for many years, includes over 100 original compositions in various genres and for many different vocal and instrumental ensembles. She has been commissioned by many artists and ensembles around the world and her works have been presented to critical acclaim at well-known concert series and international festivals. Barbara Jazwinski’s compositions are available on several recording labels, and on websites and radio stations around the world including Navona Records, Vienna Modern Masters, Capstone, Lorelt, Ravello and Musiques Suisses labels.

Composer Jan Järvlepp creates a genuine European/American musical fusion by combining the excitement of rock and jazz rhythms with the large-scale classical structures found in orchestral and chamber music. The seriousness of his well-thought-out forms and the immediacy of contemporary rhythmic and melodic ideas make a potent brew that is appealing to both open-minded classical listeners and pop music listeners who are searching for something new.

Storytelling is an important aspect in much of the music of American composer Christine Jancarz. Her recognizable melodies and rhythms are similar to the main characters of a novel, and along with aspects such as orchestration attempt to convey a narrative. Recurring melodies and rhythms are easily identifiable; like characters in a book, they become familiar. Much of her music is influenced by rock, jazz, and classical styles. She also frequently uses counterpoint, and mathematical concepts in her works, such as her Melodic Matrix series for solo instruments.

David Jaeger is a music producer, composer, and broadcaster. Jaeger's compositions range from chamber music to vocal and choral works and opera, as well as orchestral and electronic music. His works for the piano form a large portion of his canon, most of it added since his retirement from CBC in 2013. Since that date, Jaeger has concentrated increasingly on compositions for solo instruments and voices, often based on literary texts. His Nocturnes, written between 2020 and 2023, are all based on poetry he compiled from several authors who he has collaborated with: David Cameron, Seán Haldane, Bruce Whiteman, and his pianist collaborator, Christina Petrowska Quilico.

Composer Mark Eliot Jacobs, born in 1960, lives in southern Oregonís Rogue River Valley. He is a frequent participant in the musical life of the valley: principal trombonist in the Rogue Valley Symphony, and musician with the Oregon Shakespeare Festival, among other engagements. He is an adjunct instructor at Southern Oregon University where he has taught in the areas of music theory, composition, and low brass. Mark holds the degree Doctor of Music from Northwestern University in Evanston, Illinois in Music Composition (1986).

In August 2020, Jeffrey Jacob was named Composer-in-Residence with the Philadelphia Virtuosi Chamber Orchestra. He has written six symphonies, three piano concertos, three string quartets, and numerous works for piano and chamber ensemble. Raymond Leppard and the Indianapolis Symphony premiered his Symphony: Winter Lightning. The London Symphony recorded his Symphony No. 3. The Moscow and St. Petersburg Symphonies premiered respectively his Piano Concertos 1 and 2 with the composer as soloist. The Gregg Smith Singers premiered his Sleeping At Last for mixed chorus and solo cello. Jacob’s Persistence of Memory was premiered by the Cleveland Chamber Symphony at the 1999 College Music Society National Convention and was selected by the Charles Ives Center for American Music for a performance by the Charleston Symphony at the 2002 Spoleto Festival.

Heidi Jacob’s music has been described by BBC Magazine as “compositions …of complex mesmerizing beauty,” and by Gramophone Magazine as music with “…forthright expressiveness [that] exposes a multitude of stylistic associations.” Praise for her recent recording on Navona Records of Lilacs with the Kühn Choir of Prague include: “the music is simply breathtaking,” (Nicholas Wright) “…Jacob writes music of imagination and adventure…voices interweave hauntingly… ascending to towering heights,” (Textura), and “Heidi Jacob’s Lilacs opens with Kristýna Fílová’s soaring soprano… Amina Robinson’s narration amid the sublime choral harmonizing.” (Take Effect)

Robyn Jacob is a pianist, singer, composer and educator who lives and works on the unceded territories of the Sḵwx̱wú7mesh, Xʷməθkʷəy̓əm and Səl’il’wətaʔ Nations, also known as Vancouver. She has toured Canada and internationally with her avant-pop project Only A Visitor, who have released four albums to date, recently signing on with Mint Records. Her recent composition projects include commissions by Third Coast Percussion, So Percussion, Chor Leoni, Re:Naissance Opera, and Little Chamber Music. Her work often explores writing for unusual ensembles, as well as collaborations with visual artists and instrument makers.

Jâca is a clarinet and guitar duo that combines classical and world music to bring an adventurous, passionate, and completely original musical style to the stage. Jâca’s music reflects the versatility of their instruments, combining western classical training with their diverse musical and cultural heritage.

From Flamenco to Fado, Appalachia to Argentina, and guitar slides to clarinet smears, Jâca’s music is truly a unique fusion that fits into no single genre. The duo breathes new life into the traditional concert experience, ignoring convention and consistently leaving their audiences buzzing. “At a Jâca concert you’re not just a bystander – you feel a part of it.” (Humans of Chamber Music)

Serbian accordionist Jovica Ivanović was born in 1987 in Zvornik, Bosnia and Herzegovina. Within the pedagogical field he accomplished his diploma of Musical Education (ME) as well as his master in art-based education (KA) at the Hanover University of Music, Drama, and Media in Germany, studying accordion. During his time at university, Ivanović earned prestigious scholarships such as the Yehudi Menuhin Live Music Now Award and the Germany Scholarship.

Vera Ivanova (b. 1977, Moscow, Russia) graduated from the Moscow Conservatory (Honours Diploma), Guildhall School of Music and Drama in London (M.M. with distinction), and the Eastman School of Music (Ph.D. in Composition). Her works have been performed in Russia, Europe and the United States. Her teaching positions include Assistant Professor of Theory and Composition at the Setnor School of Music of Syracuse University, Assistant Professor of Music in the College of Performing Arts at Chapman University (current).

Apart from showing incredible potential, Ishkhanov already demonstrates mature and unique artistic capabilities. Amongst his biggest accomplishments, at the age of 14 Ishkhanov debuted in Carnegie Hall Stern Auditorium performing Beethoven’s Piano Concerto No. 2 with the Distinguished Concerts Orchestra and conductor Miran Vaupotić. Furthermore, in September 2016, at the age of 11, Ishkhanov represented Malta at the Eurovision of Young Musicians held in Cologne Germany, and became the youngest finalist in the Eurovision history. Ishkhanov marks this release of Chopin’s works with a return to Carnegie Hall in December 2021.

We believe that we have the opportunity to be a living metaphor that celebrates unity. We believe that fostering and embracing the music of emerging composers is critical to our art form. We believe that our community deserves to hear the greatest performances of new choral music. We believe that passion and sincerity should be at the forefront of all musical endeavors. We are Choral Arts Initiative.

Marie Incontrera (b. 1985) is a wayward ballerina and heavy metal pianist who writes music in Brooklyn, New York. She has been a recipient of the Miriam Gideon Composition Award for women composers, a winner of the Remarkable Theater Brigade Art Song Competition, a 2010 and 2011 recipient of the ASCAPlus award, a winner of the 2011 Vocalessence/American Composers Forum "Essentially Choral" readings, and was a finalist in the Iron Composer 2010 competition.

The Society of Composers, Inc. is a professional society dedicated to the promotion, performance, understanding, and dissemination of new and contemporary music. Members include composers both in and outside academia interested in addressing these issues on a national and regional level. The governing body of the Society consists of a National Council made up of co-chairs who represent regional activities, and an Executive Committee made up of the editors and directors of Society publications and projects. We are actively promoting new music through conferences, festivals, publishing of scores, contests, and the release of members’ recordings.

Countertenor Michael Walker II (he/him/his) is celebrated as a brilliant soloist and versatile chamber musician, praised for his “luminous tone, weighted with pathos.” With a passion for celebrating diversity, equity, inclusion, and access within the classical arts, Walker has distinguished himself as a leading advocate and performer in the field. A dynamic recitalist and soloist, Walker captivates audiences nationwide with his transcendent performances. His repertoire spans a wide range of styles and eras, from the medieval, renaissance, and baroque periods to contemporary works.