Artists

Steve Law is a British composer, arranger, and pianist. He studied composition at Bristol University under Raymond Warren and received a masters degree for his jazzy opera Heaven on Earth, which has been described as “a significant contribution to the genre.” Law has a gift for melody that is rare in contemporary music and a popular original style that assimilates jazz and pop influences. He has recorded and performed his music. Musicweb International described Law’s first solo piano album as “kaleidoscopically varied... impressionistic atmosphere... slowly burning passion.” His Violin Concerto was performed in Scotland and 3 Poems by Lorna Law were performed by Ferrier Award-winning baritone Gareth Brynmor John. Law is a published arranger of Dudley Moore’s music with Faber, and is working on a volume for the Gershwin Critical Edition.

Milton Rubén Laufer has graced some of the world's most iconic venues including Lincoln Center, New World Center, and Tchaikovsky Hall and has shared the stage with legendary artists like Natalie Cole, Chucho Valdés, and Guerassim Voronkov. His appearances on Spanish-speaking television and radio have transcended borders, captivating audiences throughout Europe, South America, Central America, and the Caribbean. A versatile artist, Laufer's portfolio includes performing, arranging, production, and sound reconstruction credits across renowned labels including Naxos, Bis Records, Beauport Classical, and Zenph Sound Innovations.

Composer and keyboard player Juan Sebastián Lach Lau's recent instrumental and electroacoustic music, as well as sound installations, are based on algorithmic processes and harmonic microtonal inquiries, a field in which he obtained a doctorate in artistic research at the University of Leiden, Holland, in 2012.

Brian Latchem is an English composer who was born in Bath and started to learn the piano at the age of 5. He comes from a musical family with both parents, grandparents, and great grandparents playing a variety of musical instruments. He trained to be a music teacher and started his career in Felixstowe, where he taught Music and Drama to pupils aged 11 to 14. In 1972 he moved to a new school to become responsible for music, teaching children from 5 to 11.

Libby Larsen (b. 24 December 1950, Wilmington, Delaware) is one of America’s most performed living composers. She has created a catalogue of over 400 works spanning virtually every genre from intimate vocal and chamber music to massive orchestral works and over twelve operas. Grammy Award winning and widely recorded, including over fifty CD’s of her work, she is constantly sought after for commissions and premieres by major artists, ensembles, and orchestras around the world, and has established a permanent place for her works in the concert repertory.

The music of Peter Van Zandt Lane (b. 1985, Port Jefferson NY) has been described as having "Propulsive rhythms" and "surprising lyricism" and has been praised by musicians and critics alike (Boston Musical Intelligencer) as music that "gives an amazing first impression." A Boston-based composer and bassoonist, Peter writes passionately for ensembles of all types, and often employs the use of electronics in his compositions. With backgrounds in classical performance and rock, contemporary theory and music engineering, he draws on his diverse experiences to create music that is fresh, genuine, and widely appealing.

In 2008, Lande was appointed principal guest conductor of the St. Petersburg State Symphony, and in 2011 he led the orchestra on a 24-concert "Tour of the Americas” including New York’s Alice Tully Hall, Boston’s Symphony Hall, Philadelphia’s KimmelCenter, Baltimore’s Meyerhoff Hall, and the Society of the Performing Arts in Houston, as well as the most prestigious venues in Mexico, Argentina, Brazil, Ecuador, Costa Rica, Peru, Chile, and Uruguay.

Marvin Lamb (b. 1946) is Professor of Music & Head of the Music Composition Program at the University of Oklahoma, where he served as Dean of the Weitzenhoffer Family College of Fine Arts from 1998-2005. His music has been performed widely in the United States, Europe, Canada, Mexico, South America & Japan. In addition, his orchestral works have been performed by the symphonies of Atlanta, Dallas, Colorado, Nashville, Syracuse, the Cabrillo Festival, featured on chamber music series sponsored by the St Louis & Honolulu symphonies & recorded by the Czech Philharmonic Symphony.

Described as “alluringly exotic” (The New York Times), and “hauntingly attractive” (San Francisco Chronicle), the music of Bun-Ching Lam has been performed worldwide by such ensembles as the Macao Orchestra, American Composer’s Orchestra, New Jersey Symphony, The Vienna Radio Orchestra, Hong Kong Sinfonietta, and the Albany Symphony. Born in Macao, Lam served as the composer-in-residence of the Macao Orchestra from 2008-2016. She began her piano study in her native city, then further pursued her music education in Hong Kong and the United States.

American composer Michael Kurek’s music is receiving increasing acclaim for its lush, neo-traditional, melodic, and narrative style, reminiscent of the early 20th century symphonists. It has garnered performances by numerous symphony orchestras and chamber groups throughout the United States and in 15 countries on five continents, in addition to online streams in over 100 countries on six continents. His works have been heard nationwide on NPR and other countries’ national radio broadcasts, and have also been profiled in national print media and music journals.

Ganesh B. Kumar L.T.C.L. is a music composer/producer from Chennai, India. He obtained his double Licentiate from the Trinity College of Music, London, under the tutelage of the renowned teacher Mr. Abdul Sattar. It was always his desire to compose music that would elevate the spirit of mankind. This goal has not changed to this day, and remains his standard of accomplishment as a composer.

Kenneth A. Kuhn (Ken) (b. 1954) is a retired electrical engineer specializing in electronic circuit design who had the privilege of growing up with a great appreciation of classical music. Over the years classical music enhanced mental skills valuable for Kuhn’s engineering career. Composing music and designing electronic circuits are very interrelated as each enhances the other. He began composing music in his youth in the 1960s and learned how to compose by carefully listening to the many classical composers. His favorite composers include Anton Bruckner and Gustav Mahler. Ken composes because, “There is music I want to hear but since no one has written it then I must write it myself.”

The conductor, composer, and pianist Jan Kučera is one of the most versatile Czech artists. At the National Theatre in Prague, he has conducted the productions of Lukáš Hurník’s opera The Angels, Shostakovich’s Antiformalist Rayok / Orango, Rossini´s La Cenerentola, and of his own comic opera Red Mary.

Vienna, Austria-native Rudy Kronfuss started playing the guitar at age 13 and formed his own band when he was 17. He has loved composing music since his teenage days, and in 1974 he decided to stay in the Netherlands after a tour with his group. In 1984 he successfully completed his six years study of jazz guitar at the Royal Conservatory in the Hague. Since then he has taught at "GLOBE," the Central Music School of Hilversum. In 1994 he received his degree in composition and arrangement from the Conservatory of Rotterdam under the guidance of Bob Brookmeyer. Kronfuss is an internationally performing artist. His passion is to teach, play, compose, arrange and produce music. He has published 8 CDs and 4 DVDs.

Keith Kramer is a composer of over 40 works for orchestra, chamber ensembles, solo instruments and electronic media. Keith Kramer's music is at times subtle and restrained, and other times ferocious and demanding. Always searching for new modes of expression, each piece that Keith composes represents another facet of a continuous journey of discovery. Keith’s music has also been performed and recorded by the Slovak National Symphony Orchestra, the Moravian Philharmonic Orchestra, David Taylor, Leonard Garrison and many others.

Timothy Kramer’s music reflects his fascination with motivic patterns, cyclical relationships, and musical gestures that unfold in a variety of changing speeds and textures. Originally from Washington State, Kramer (b. 1959) began playing the piano at an early age, and, although trained as a pianist, organist, and harpsichordist, he spent many years as a youth playing bass guitar in jazz and rock ensembles. His music reflects this influence, and he sometimes integrates various aspects of American popular music into his pieces.

Joseph Koykkar (b. 1951), composer, has had his music performed nationally and internationally for the past 30 years, including performances and commissions by many of the leading new music ensembles in the nation including the Relache Ensemble, Present Music, Zeitgeist, New York New Music Ensemble, North/South Consonance, Synchronia, and the C.A.L. Ear Unit.

Mari Kotskyy is a New York-based award-winning composer, arranger and pianist, originally from Hokkaido, Japan. Her works have been performed throughout Asia, North America, and Europe.

Hailed for the "awesome purity of his playing" (New York Concert Review) and described as a "prodigiously skilled protagonist", Bulgarian cellist Lachezar Kostov has performed as an orchestral soloist, recitalist and chamber musician in USA, Japan and Europe. In 2006 Mr. Kostov was the National Winner at the MTNA competition. Lachezar Kostov gave his Carnegie Hall debut in 2009 together with his longtime friend and chamber music collaborator pianist Viktor Valkov.

Paul Kopetz is an award-winning composer and a multi-instrumentalist, arranger, conductor, and teacher. He is a graduate of The University of Melbourne, The Victorian College of the Arts, The Rotterdam Conservatorium, and Monash University. His works have been performed in the United States, Asia, Europe, and Australia. Kopetz’s music has been described as “a highly emotive and colorful mix of polystylistic soundscapes where Contemporary Classical forms provide a flexible springboard for personal journeys of reflection, social commentary, explorations of the natural world and above all artistic integrity.”