Artists

Founded in 1924 in Portland ME, the Portland Symphony Orchestra (PSO) has a long and illustrious history of bringing fine orchestral music to Maine and northern New England. It is an ongoing source of civic pride and artistic leadership, the largest performing arts organization in this city of 70,000 people. All volunteer at its start, the PSO now employs 83 professional musicians drawn from all six New England states. It performs nearly 40 concerts each season at Merrill Auditorium in Portland and at Seaside Pavilion in Old Orchard Beach. The PSO’s education and lifelong learning programs reach thousands of people across Maine every year, both in person and virtually.

The Armenian State Symphony Orchestra was created in 2005 by Sergey Smbatyan, the present Artistic Director and Principal Conductor of the orchestra. From the very onset of its existence, the orchestra has been home to bright and energetic musicians, assembled around the shared vision of amplifying the cultural awareness in Armenia and elevating the spiritual excellence of human nature by the power of classical music.

Guerilla Opera is one of Boston’s most exciting young companies creating brave new works. Founded in 2007, the ensemble has accumulated a repertoire of 40 new works, which continues to grow, by the most exciting composers of our generation. In daring performances, they have garnered a national reputation for innovative contemporary opera, with the Boston Globe raving that “radical exploration remains the cornerstone of everything it does.”

Shawn E. Okpebholo is a critically-acclaimed and award-winning composer whose music has been described as “devastatingly beautiful” and “fresh and new and fearless” (The Washington Post), “affecting” (The New York Times), “searing” (The Chicago Tribune), “staggering” (The New Yorker), “lyrical, complex, singular” (The Guardian), and “powerful” (BBC Music Magazine).

Pianist, arranger, collaborative artist, composer, educator, and media personality Christopher O’Riley follows his passions into a fractal array of innovative directions, ever striving for the truest and deepest human connection, through performance and collaboration. It is with O’Riley’s dedication to the learning abilities, personalities, and imaginations of artists that he comes to his latest endeavor — a traversal of J.S. Bach’s The Well-Tempered Clavier. O’Riley has produced an online archive of video lectures entitled “Everything We Need to Know About Playing the Piano We Learn From The Well-Tempered Clavier,” a series illuminating a new perspective on each Prelude and Fugue, expanding on the ways the paucity of Bach’s notation encourages us to engage creatively and imaginatively.

Born in Hartford, Connecticut (1946), Jane O'Leary studied piano from an early age,graduated from Vassar College and completed a PhD in composition at Princeton University, where she studied with Milton Babbitt among others. In 1972 she moved to Ireland and has made her home in Galway on the west coast. A founding member of Aosdána, Ireland's state-sponsored academy of creative artists, she was awarded an Honorary Doctor of Music Degree by the National University of Ireland in 2007.

Juli Nunlist (1916 – 2006) received a B.A. in English Composition from Barnard College in 1940, magna cum laude, Phi Beta Kappa. In 1957, at the age of 40, she entered Manhattan School of Music as a composition major, and received her Bachelor’s degree in 1961 and her Master’s in 1964, studying with Vittorio Giannini, Ludmila Ulehla, and Nicholas Flagello. Her Spells is a choral setting of six poems by the English poet Kathleen Raine and was chosen for performance by the University of Kansas Concert Choir (Clayton Krehbiel conducting) at the Sixth Annual Symposium of Contemporary American Music, April 1964. In addition to Spells, her works include this string quartet, piano, choral, and chamber music, and a symphonic tone suite after Juan Ramon Jimenez’ prose poems, Platero and I.

Brian Noyes grew up in Cardiff, South Wales, and began his music education by studying the classical guitar at the Royal Welsh College of Music and Drama, subsequently freelancing as a performer and teacher until his interest in composition took him to University College Cardiff and then Goldsmiths' College, London. This was the time, in the late 1970s and early 1980s, when his first pieces were performed by ensembles such as Lontano, Music Projects London, Singcircle, etc., and also, pivotally for him as a composer, when he attended Dartington Summer School, under the tutelage of Sir Peter Maxwell Davies, and Aldeburgh School of Advanced Studies, with Sir Harrison Birtwistle.

Shara Nova has released five albums under the moniker My Brightest Diamond and has composed works for yMusic, Brooklyn Rider, Nadia Sirota, Conspirare, Cantus Domus, Brooklyn Youth Chorus, Roomful of Teeth, and many community choirs, as well as Aarhus Symfoni, North Carolina Symphony, Indianapolis Symphony, American Composers Orchestra, and the BBC Concert Orchestra, among others.

Winner of The American Prize in Choral Performance (2019), NOTUS is one of the country’s most unique collegiate vocal ensembles, with a singular commitment to championing living composers through the commissioning, programming, and recording of new works. Directed by conductor-composer Dominick DiOrio and a curricular ensemble at the Indiana University Jacobs School of Music, NOTUS has performed across the nation, from regional and national ACDA conferences to Carnegie Hall. In September of 2018, NOTUS released their first commercial album on the Innova label, NOTUS: Of Radiance and Refraction, which includes five world premiere recordings by IU faculty composers. NOTUS was honored to be one of only 24 choirs in the world invited to perform at the 12th World Symposium on Choral Music before it was canceled due to the pandemic. As part of the honor of being invited to the Symposium, NOTUS was named an IFCM Ambassador in 2022 by the International Federation for Choral Music.

Called a “bright wom[a]n with big ideas” (Souls in Action), Colorado-based composer Loretta K. Notareschi (b. 1977) seeks to create “compassion” (303 Magazine) and connection through her “powerful” (The Denver Post) and “deeply personal” (5280 Magazine) music. Whether writing for string quartet or symphony orchestra, church congregations or classical ukulele players, she seeks to “connec[t] with the audience” (303 Magazine) and move listeners with music of meaning.

Christopher Nichols is a versatile clarinetist with performances as a soloist and in ensembles across the United States and abroad. Dr. Nichols regularly performs with orchestras in the Mid-Atlantic such as the Pennsylvania Philharmonic, the Kennett Symphony and the Allentown Symphony Orchestra. He is a member of Christiana Winds and has recently collaborated with the acclaimed Serafi n String Quartet, the Taggart-Grycky Duo, and members of the Philadelphia Orchestra and Baltimore Symphony Orchestra.

Bree Nichols is a young American soprano praised for her “rich vocal disposition” (KlasikaPlus) and compelling stage presence. A Fulbright grantee to the Czech Republic, Nichols is known for her sensitive interpretations of Czech vocal music as well as over a dozen operatic roles spanning a diverse repertoire. Her career has taken her to the stages of Symphony of the Mountains, Capitol City Opera, Opera Roanoke, Lewisville Lake Symphony, Opera on the James, Opera Experience Southeast, the Olomouc Baroque Festival, and more.

Composer, pianist, violist, and conductor Jonathan Newmark was born in New York City in 1953 and received his MM in composition from University of Cincinnati College-Conservatory of Music in 2015. His teachers at CCM included Joel Hoffman, Douglas Knehans, and Michael Fiday, as well as Jonathan Kolm, Gloria Wilson Swisher, and James McVoy outside of CCM.

Catherine Neville (b. 1974) is a composer of concert music for instrumental ensembles and choir. An alumna of Interlochen Arts Academy, her experiences as a clarinetist and music theorist led to studying composition with Jeff Nichols. She holds degrees in composition from the Aaron Copland School of Music in Queens, NY, in Music Education from Hofstra University, and in Performance (clarinet) from the State University of New York at Stony Brook.

Composer and bassist Israel Neuman (b. 1966, Haifa, Israel) received a Ph.D. in composition and a M.A. in jazz studies at the University of Iowa, and a B.Mus. in jazz studies at the University of Hartford. He studied composition with Lawrence Fritts, John Eaton, David Gompper and John Rapson. He studied bass with Gary Karr, Michael Klinghoffer, Diana Gannett, Volkan Orhon, and Anthony Cox.

Composer, violinist, and poet Patricia Van Ness draws upon elements of medieval and Renaissance music to create a signature voice that has been hailed by musicians, audiences, and critics. She has been called a modern-day Hildegard von Bingen 1,2, with her ability to compose music "ecstatic and ethereal," "both ancient and new" 2,3. As in medieval aesthetics, her music and poetry explore the relationship between beauty and the Divine.

Octavian Nemescu (1940-2020) was born in Pascani (Romania). He studied composition with Mihail Jora at the Conservatory of Music in Bucharest, obtained the Ph.D. in Musicology in 1978, at the Conservatory in Cluj, under the guidance of Sigismund Toduta. The title of his doctoral thesis was: “The Semantic Capacities Of Music,” published as a book, at Editura Muzicala Publishing House, Bucharest, 1983. He was an assistant and then lecturer at Brasov University (School of Music) between 1970-1978.

NdBrass was established in 2015 by the members of the Janáček Opera of the National Theater in Brno. The members are seasoned orchestra soloists with a passion for chamber music, continuous improvement, and innovation. Their common interests led them to form a group with the ability to interpret not only standard repertoire but also to offer new and unique programs.

Lenka Navrátilová studied piano and harpsichord at the Teplice Conservatory and choral conducting (sacred music) under the guidance of Jiří Kolář and Marek Štryncl at the Faculty of Education of Charles University in Prague. She is second chorus master of the Kühn Choir of Prague, professor of opera coaching at the Prague Conservatory, and répétiteur of the Prague Philharmonic Choir. As the assistant to the chorus master of the Prague Philharmonic Choir, she has participated in its appearances in Doha, Berlin, and at the Sankt Gallen opera festival.