Artists

Angelique Poteat (b. 1986) is a native of the Pacific Northwest, and many of her works are inspired by the natural beauty of the region. Her music has been described as “engaging, restless” (New York Times), “serious and nicely crafted” (American Record Guide), and “extremely accomplished and vividly picturesque” (Seattle Times), receiving performances on four continents by ensembles including the Seattle Symphony Orchestra, arx Percussion Duo, Emerald City Music, CernaBella, and Trio Claviola. Poteat is the recipient of the 2015 American Prize in Orchestral Composition for her work Beyond Much Difference (2014), and has held Composer-in-Residence positions with the Seattle Symphony Orchestra and the New Music on the Rock Festival.

Mark Dal Porto has received numerous commissions with his works receiving hundreds of performances by many instrumental and vocal ensembles throughout the United States and abroad. In 2019, he released Peace, Nature & Renewal¸ a CD featuring some of his orchestral, choral, and chamber works. In the 2013 CODA (College Orchestra Directors Association) International Composition Contest, he was awarded first prize for his orchestral work Song of Eternity. He has also received certificates of excellence in band, choral, orchestral, and chamber music composition from The American Prize organization.

Award-winning Armenian-American pianist Kariné Poghosyan has been praised on the world stage for her “ability to get to the heart of the works she performs.” Since her orchestral debut at the age of 14, Poghosyan has been enchanting concert audiences around the globe, with her masterful artistry and exceptional performances that leave them forever transformed.

Formed in 2012, the Pangaea Chamber Players strives to expand the boundaries of traditional chamber music through innovative programming and community involvement. Comprised of flute, cello, and piano, the ensemble performs both traditional and contemporary works. Most recently, they have recorded a CD, Three Perspectives, which will be released with Parma Records.

Houston TX based Apollo Chamber Players “performs with rhythmic flair and virtuosity” (The Strad) and has “found fruitful territory” (Houston Chronicle) through innovative, globally-inspired programming and multicultural new music commissions. Winner of Chamber Music America’s prestigious Residency Partnership award, the quartet has performed for sold-out audiences at Carnegie Hall, and it holds the distinction of being the first American chamber ensemble to record and perform in Cuba since 1960. Apollo is featured frequently on American Public Media’s nationally-syndicated program Performance Today.

The Harlem Chamber Players is an ethnically diverse collective of professional musicians dedicated to bringing high caliber, affordable, accessible live music to people in the Harlem community and beyond. Founded in 2008, The Harlem Chamber Players annually presents a rich season of formal live concerts, indoors, outdoors, and online. The Harlem Chamber Players also promote arts inclusion and equal access to the arts, bringing live music to underserved communities and promoting shared community arts and cultural engagement.

World-renowned for its highly polished performances as the pied-pipers of Early Music, Piffaro, The Renaissance Band has delighted audiences throughout the United States, Europe, Canada and South America. The ensemble, founded in 1980, recreates the elegant sounds of the official, professional wind bands of the late Medieval and Renaissance periods, as well as the rustic music of the peasantry. Piffaro's ever-expanding collection of shawms, sackbuts, dulcians, recorders, krumhorns, bagpipes, lutes, guitars, harps, and a variety of percussion, are careful reconstructions of instruments from the period.

Anthony Piccolo earned bachelor's and master's degrees from the Peabody Conservatory, where he studied piano, orchestral conducting, and composition. He studied further at the Britten-Pears School and the Guildhall School of Music and Drama in London, where he was a repetiteur in the opera studio. Returning to the states he joined the staff of the New York City Opera and in 2009 took up his current position as Children's Chorus Director at the Metropolitan Opera.

Featured in the Los Angeles Times in 2021, Giovanni Piacentini is a composer, performer, educator, and advocate for the music of others. Recently praised as “paying homage to the important cultural heritage of music in the west” by Forbes magazine, his original music has been described as “able to encapsulate tiny, winsome worlds as if passing through a gallery of paintings” (Winnipeg Free Press), and as “stunningly beautiful with accessible compositional language”(The Clarinet Magazine). Piacentini has established himself as a significant voice in Latin American classical music.

Founded in 1924 by visionary violin teacher Mary V. Dodge, Portland Youth Philharmonic provides young musicians in Portland OR with a challenging opportunity to explore their creativity while receiving the highest quality musical education. The nation’s first youth orchestra, PYP has produced consistently inspiring performances and upheld a tradition of excellence since its first public concert in February 1925. Alumni of this organization can be found around the world in professional orchestras, teaching music at every level, and promoting music education as an important life skill that benefits individuals in any career path.

Originally known as The South Bohemian State Orchestra, the South Czech Philharmonic, based in České Budějovice (Budweis), was founded in 1981. Today, it comprises 39 artists and remains the only professional philharmonic orchestra in the South Bohemian region.

As a symphony orchestra founded in 1935 under the auspices of the Belgian public broadcaster, unveiling the symphonic world as best we can is deep in our DNA. By innovating while maintaining full respect for the value of the past, we keep the symphonic music of the past, present and future relevant and inspiring — for ourselves and all of society. We do this from the historic Studio 4 at Flagey in Brussels, together with our musical director Kazushi Ono: he shares our open and adventurous spirit and our rock-solid belief in the need for cross-fertilization between art, life and society.

The music of Bill Pfaff is characterized by a strong sense of line, clear harmonic motion, and gestures that have been described as “profound and extravagant.” Known for his collaborative impulse, Bill has produced music for theater, dance and art installations. In this context, his language embraces electronic sources, traditional acoustic instruments, electric guitar and found sounds. As a performer on the soundplane, Bill explores composition that combines physical modeling synthesis, granular synthesis and acoustic instruments.

Flutist, pianist, composer, and conductor Byron W. Petty holds a BM in flute performance from the Peabody Conservatory of Johns Hopkins University, where he studied with the noted flutist Britton Johnson. He has served as Instructor of Piano at Roanoke College and Instructor of Flute and Piano at Southern Virginia University. He is a Lecturer in Music and has taught courses in Composition and Musical Analysis as Visiting Assistant Professor of Music at Washington and Lee University. From 1995-2002, Petty was the Conductor/Music Director of the Eurydice Community Orchestra of Roanoke and subsequently, the Artistic Director from 2002 through 2003.

Jiří Petrdlík (b. 1977) is appreciated as one of the most respectable conductors of his generation. He studied piano, trombone, and conducting — 1995–2000 at Prague Conservatory, and 2000–2005 at Academy of Performing Arts Prague — with Hynek Farkač, Miroslav Košler, Miriam Němcová, Radomil Eliška, and Tomáš Koutník, and took part in the masterclasses of the New York Philharmonic Principal Conductor Kurt Masur and the BBC Philharmonic Principal Conductor Jiří Bělohlávek. Petrdlík also successfully took part in several competitions, including the Donatella Flick Conductor Competition in London.

Vince Peterson is a respected choral conductor, composer/arranger, and teacher of music in the United States. His 20-year hybrid career spans the worlds of choral music, theater, sacred music, and music education. He has, however, established himself most prominently in the world of choral music, notably having founded the "shape-shifting" vocal ensemble Choral Chameleon in 2008. Across his work, he is responsible for presenting nearly 300 premieres of new choral and theater music in the last 15 years and has won critical acclaim in The New York Times, Time Out New York, The New York Concert Review, I Care If You Listen, The Examiner, and other publications. He is also a recipient of the prestigious ASCAP/Chorus America Award for Adventurous Programming.

“Music has always been a kind of magic for me, a portal to other realms. When I was young, I was inspired by fantasy novels such as The Lord of the Rings, and I’m still drawn to myths and legends. I’ve written works on themes ranging from the sorcery of Merlin to the Callanish Stone Circle and the Torngat Mountains. My aim is to write music that invites audiences into other worlds, so they can re-discover their own sense of wonder." –Daniel Perttu

Antoinette Perry, born into a family of professional musicians, gave her first public performance at the age of 4. Since then she has concertized extensively throughout the United States, Germany, France, England, and in over 15 cities of the People’s Republic of China. She has been heard often on NPR and the Bravo! Channel, and has recorded for the Crystal, Harmonie, Pacific Rainbow, Pacific Serenades, Excelsior, and Navona labels. Her first solo album, BEETHOVEN BOOKENDS, was released under Navona Records in 2021.

Connecticut native Scott Perkins enjoys a multifaceted career as an international prize-winning composer, a versatile performer, an award-winning scholar, and a music professor at California State University, Sacramento. Praised by critics from publications including the Washington Post (“dramatic,” “colorful”) and the Washington Times (“perfectly orchestrated,” “haunting,” “a remarkable and welcome musical surprise”), his work has been commissioned by organizations ranging from the Washington National Opera to the American Guild of Organists and has been performed throughout North America and Europe.

Ronald Perera’s (b. Boston 1941) compositions include operas, song cycles, chamber, choral, and orchestral works, and several works for instruments or voices with electronic sounds. He is perhaps best known for his settings of texts by authors as diverse as Dickinson, Joyce, Grass, Sappho, Cummings, Shakespeare, Francis of Assisi, Melville, Ferlinghetti, Updike and Henry Beston. Seven major pieces are represented on compact discs released in the late 1990s. Reviewing CRI CD 796 for Fanfare magazine, critic John Story writes, “Three Poems of Günter Grass is, quite simply, one of the most haunting works of the last 25 years.” Reviewing The Outermost House on Albany Troy 314 he writes, “When he is on form, Ronald Perera is among the finest living combiners of words and music…The music is simply lovely.”