Artists

A composer of over 80 works for traditional Japanese instruments, Marty Regan is a Professor and Head of the Department of Performance Studies at Texas A&M University. Widely regarded as the authoritative source on the subject, his translation of Minoru Miki’s Composing for Japanese Instruments was published by the University of Rochester Press in 2008. His music has been broadcast on American Public Media’s Performance Today and NHK’s Hōgaku no hito toki/A Moment for Traditional Japanese Music. His chamber opera, titled The Memory Stone, was commissioned by the Houston Grand Opera as part of the HGOco's Songs of Houston: East + West initiative and was premiered in 2013 at the Asia Society Texas Center.

Mona Lyn Reese concentrates on opera, orchestra, and choral music. Her work is melodic and accessible with an emphasis on driving or complex rhythms, movement, and contrasting textures. Her music communicates and expresses emotions traditionally or experimentally without allowing a prevailing fashion to dictate style, form, or harmony.

American composer, conductor, orchestrator, and producer Dan Redfeld has had his music and arrangements performed internationally from the concert hall to the musical theatre stage to the recording studio. Redfeld received his training at Boston's New England Conservatory before transferring to the University of California, Los Angeles (UCLA) where he graduated with a degree in composition with an emphasis in conducting. Instructors include composers William Thomas McKinley, Irwin Kostal, and David Raksin, and conductors Jon Robertson, Sir Simon Rattle, Zubin Mehta, and Roger Norrington.

Thomas L. Read, composer and violinist, is Professor Emeritus at the University of Vermont. Born in Erie, Pennsylvania in 1938, he studied violin, composition and conducting at the Oberlin, Mozarteum, New England and Peabody Conservatories with such noted musicians as Andor Toth Sr., Richard Burgin, Bernhard Paumgartner, Leon Fleisher, and Benjamin Lees. As violinist he has been a member of the Erie Philharmonic, Baltimore Symphony, Boston Festival Arts (under Harold Farberman), Vermont Symphony and the Saratoga Festival of Baroque Music.

Maurice Ravel, in full Joseph-Maurice Ravel, (born March 7, 1875, Ciboure, France—died December 28, 1937, Paris), was a French composer of Swiss-Basque descent, noted for his musical craftsmanship, perfection of form and style, and distinct musical language. Ravel was born in a village near Saint-Jean-de-Luz, France, of a Swiss father and a Basque mother. His family background was an artistic, cultivated one, and the young Maurice received every encouragement when his musical talent became apparent at an early age.

Hailed in the LA Times as offering a “stunning rendition” of the Mozart Clarinet Concerto, and an “exciting” version of the Copland Clarinet Concerto, Joshua Ranz is Principal Clarinet of the Los Angeles Chamber Orchestra (LACO). In addition, he holds the chair of Principal Clarinet of the New West Symphony and the position of Bass Clarinet with the Pacific Symphony.

Composer Yves Ramette (b. 1921) was born in Bavay, France, where his father was the director of a school. From a very young age Ramette was instinctively attracted towards music. When he was seven years old he started learning musical notation as well as to play the violin and the piano. At age fourteen, while pursuing his secondary studies at the Beauvais Lycée, he also began taking advanced lessons in harmony.

Georges Raillard was born in Basel, Switzerland in 1957, where he completed his education, culminating in studying foreign languages at the University of Basel. From 1983 to 2001 he resided in Madrid, Spain, where he worked as a language teacher, translator, and writer. From 2001 to 2019 he worked as a writer, composer, translator, and archivist, mainly in Basel. Returning to Madrid in 2019, he has since been focusing on his artistic endeavors.

Nada Radulovich is a dynamic and versatile artist who combines her skills as a cellist, transcriber and concert organizer to present unique concerts that synthesize the familiar and unfamiliar in a way that both entertains and educates the audience. A native of Detroit, she developed her artistry and craft at Smith College, the Manhattan School of Music and The Peabody Institute.

Driven to create a musical bond with her listeners, saxophonist Heidi Radtke is attracted to the many musical traditions that claim the saxophone as their own. With influences ranging from contemporary classical to jazz and popular genres, Radtke gravitates towards music that dances, sings, and tells a story. As a performing artist, Radtke seeks to entertain, provide emotional connection and release, stir creativity, pique curiosity, generate compassion, and above all, inspire the artistic voice in others.

All Classical Radio is consistently ranked in the United States’ top three classical radio stations. The network is recognized for its bold collaborations and outreach, and for broadcasting 98% locally-produced programming, including innovative music playlists, interviews, and live broadcasts. Home to the award-winning Recording Inclusivity Initiative and the International Children’s Arts Network, All Classical Radio is one of the first classical stations in the nation to name artists in residence and to develop robust youth journalism mentorships.

Howard Quilling (b. 1935) was born in Enid, Oklahoma and grew up in Napa CA. He received his Bachelor of Music and Master of Music from the University of Southern California and his Ph.D. from the University of California, Santa Barbara. He studied music composition with Ingolf Dahl, Robert Linn, David Raksin, Ernst Kanitz, Emma Lou Diemer, Edward Applebaum, and Peter Racine Fricker.

The Canadian Encyclopedia calls Christina Petrowska Quilico, C.M., OOnt, FRSC, “one of Canada’s most celebrated pianists. Equally adept at Classical, Romantic and Contemporary repertoires...she is also a noted champion of Canadian composers.” She was appointed to the Order of Canada in 2020 “for her celebrated career as a classical and contemporary pianist, and for championing Canadian music” and to the Order of Ontario in 2022 “for opening the ears of music lovers through her performances and recordings, her teaching at York University and her establishment of The Christina and Louis Quilico Award at the Ontario Arts Foundation and Canadian Opera Company.” She was also inducted in 2021 into the Royal Society of Canada, “the country’s highest honor an individual can achieve in the Arts, Social Sciences and Sciences.” In September 2023, the Ontario Arts Council named her winner of its Oskar Morawetz Award for Excellence in Music Performance for having “reached a degree of international attention through appearances in other countries, and/or through broadcast and recordings,” with the jury asserting, “She is a legend.” 

Sebastian Quesada is a Costa Rican composer interested in exploring the ambiguous and subjective nature of music to evoke specific imagery. Through a blend of diverse genres and processes, his compositions aim to explore musical narratives that are connected to our cultural and social perceptions. His work spans a variety of media, including large and chamber ensembles, rock music, incidental works, installations, and more. This diverse range of mediums has contributed to his intention of synthesizing different elements to explore extra-musical concepts.

The Skyros Quartet has performed extensively, traveling around Asia and North America. In their hometown of Seattle, the quartet has concertized at Benaroya Hall as part of the Seattle Chamber Music Society, has been featured artists numerous times at Resonance at Soma Towers, and are seen in frequent performance around the Puget Sound region. They have been heard at the Aspen Music Festival and School (Aspen, Colorado) and the Sunflower Music Festival (Topeka, Kansas). In 2014, Skyros was invited to Ontario, Canada, where they were guest artists at QuartetFest 2014 at Sir Wilfrid Laurier University (Waterloo, Ontario) and performed at the Kitchener-Waterloo Chamber Music Society (Ontario, Canada).

The Colorado-based Altius Quartet has dedicated itself to expanding traditional notions of the string quartet. Members Hannah Kennedy and Andrew Giordano (violins), Allyson Stibbards (viola), and Erin Patterson (cello) are equally at home as performers, mentors, and educators, and strive to fulfill each of those roles at the highest possible level. Altius has received critical acclaim for their recordings, including Fanfare Magazine describing their 2017 release Shostakovich: String Quartets Nos. 7, 8, and 9” as “visceral and wrenching”. Altius was also hailed as “rich” and “captivating” by the renowned music blog I Care If You Listen.

This remarkable quartet - hailed as "a triumph of ensemble playing" by the New York Times - is a multi-faceted ensemble taking chamber music in new directions. Touring music of the masters as well as original works from visionary composers of our time, the Fry Street Quartet has perfected a "blend of technical precision and scorching spontaneity" (Strad). Since securing the Grand Prize at the Fischoff National Chamber Music Competition, the quartet has reached audiences from across the globe exploring the medium of the string quartet and its life-affirming potential with "profound understanding...depth of expression, and stunning technical astuteness" (Deseret Morning News).

Taking its inspiration from the exquisite rugged natural beauty of the Pacific Northwest, the Saint Helens String Quartet embraces a sense of musical adventure, exploring an often uncharted sonic territory in which contemporary classical music intersects with genres including jazz, pop, rock, folk and world music. Called the "Saint Helens adventurous four" by the Seattle Weekly, the group makes a practice of commissioning and performing works by 20th century composers.

With an intense and beautiful blend of freshness and experience, the Pedroia String Quartet is bursting onto the Boston scene. To the unified and persuasive core of Peter Sulski and Rohan Gregory’s ten years of quartet playing together, add the power and fire of first violinist Jae Cosmos Lee, and the consummate beauty and flexibility of cellist Jaques Lee Wood, and you have the Pedroia Quartet.

Sirius Quartet combines exhilarating repertoire with unequaled improvisational fire. These conservatory-trained performer-composers shine with precision, soul and raw energy, championing a forward-thinking, genre-defying approach. Since their debut concert at the original Knitting Factory in New York City, Sirius has played some of the most important venues in the world, including Carnegie Hall, Lincoln Center’s Alice Tully Hall, the Beijing Music Festival, the Cologne Music Triennale, the Beethoven-Haus Bonn, Stuttgart Jazz, Musique Actuelle in Canada, the Taichung Jazz Fest — Taiwan’s biggest jazz event — and many others.