Called “a fresh, bold, and individual creative force” (Los Angeles’ Canyon News), and “a very talented young composer with much to look forward to in the future” (Paula Brusky, 2010 Bassoon Chamber Music Composition Competition), Kyle Peter Rotolo (b. 1986) is a multi-faceted musician who has worked in a variety of mediums including contemporary classical, film/television/radio, and pop/rock. He grew up on the New Jersey side of the Hudson River, just across from the City That Never Sleeps. 2012 was an exciting year for Kyle; it saw the premiere of Marilyn’s Room, a mini-opera on his own story and libretto, by the Peabody opera company, as well as the album release of his piece for solo guitar Le crâne a lá cigarette qui fume on the album Epitaphios by the lauded guitarist Anastasios Comanescu. He is an alumnus of the Peabody Institute of the Johns Hopkins University (M.M. ’13), the Brevard Music Center, and a member of Pi Kappa Lambda National Music Honor Society. His primary teachers have been Kevin Puts, Liviu Marinescu, and N. Lincoln Hanks. He has also studied with Robert Aldridge and David Dzubay. 

Albums

Fine Music, Vol. 5

Release Date: April 1, 2014
Catalog Number: NV5949
21st Century
Chamber
Orchestral
Clarinet
Orchestra
Piano
Navona Records' new installment of the FINE MUSIC series presents a deep cross-sectionof the label's wide-ranging and provocative 2013/2014 release slate, featuring performances by the Grammy-nominated New York Polyphony, Ensemble Dal Niente, cellist Chris Wild, Grammy-winning clarinetist Richard Stoltzman, the Apollo Chamber Players, and many more in works by Hindemith, DeGaetano, Hodkinson, Ramette, Stevens, Williams, Bakker, Rotolo, Vines, Sternfeld-Dunn, Brown, Tarlow, and others.

Perceptions

Release Date: April 1, 2013
Catalog Number: NV5909
21st Century
Chamber
Guitar
Piano
String Quartet
Music represents a dialogue between composer and listener, channeled through performance and observation. Much like in spoken conversation, the works in PERCEPTIONS present us with the revealing perspectives of their composers as told through small ensembles. The listener is presented with music that entrances, enkindles, jars, lingers, connects, and engrosses–perceptions both highly incisive and deeply personal.