Oboist Dr. Andrew Parker is currently Associate Professor of Oboe at the University of Texas at Austin and faculty at the Round Top Festival Institute. In addition to his teaching, Andrew maintains a rich performing career as a soloist and chamber musician. He has performed concerti with numerous orchestras including the Quad City Symphony, the Dallas Wind Symphony, the Great Falls Symphony, the Puerto Rico Philharmonic, the University of Iowa Chamber Orchestra, and the University of Texas Symphony Orchestra. His solo album, The Singing Oboe, was featured as CD of the week for two consecutive weeks on the Boston classical station 99.5 WCRB. Parker has been principal oboe of the Quad City Symphony for 15 seasons. In addition to his position with the Quad City Symphony, Parker plays English horn at Music in the Mountains and has performed with numerous other orchestras including the National Arts Center Orchestra, the Florida Orchestra, the Orquesta Sinfonica de Mineria, the New Mexico Symphony, and many others. He has also performed in a wide variety of chamber music settings at various international festivals including FEMUSC in Brazil, the Aspen Music Festival, ChatterABQ, Willy Street Chamber Players, Austin Chamber Music Center, The Sarasota Music Festival, Round Top Festival, Music in the Mountains, and Kinhaven Music School. Parker received his degrees from the Eastman School of Music, Yale University, and the University of Michigan. 

Albums

From the Sea to the Stars

Release Date: October 25, 2024
Catalog Number: NV6666
20th Century
21st Century
Chamber
Oboe
Piano
Outside of Russian ballets and Mozart symphonies, the oboe is an instrument that generally does not get a lot of credit. But on FROM THE SEA TO THE STARS, the instrument is thrust into the spotlight it deserves. The driving force? Accomplished American oboists Lindsay Flowers and Andrew Parker. Center stage, it turns out, is a surprisingly merited place for the oboe and its bigger sister, the English horn — especially in contemporary composition. Flowers and Parker have curated a moody selection of beautiful, minimalist pieces that allow the respective instruments to shine on their own — accompanied only here and there by a pleasingly subtle piano. Delicate, lyrical, and utterly charming.