Dr. c is currently Associate Professor of Oboe at the University of Texas at Austin and faculty at the Round Top Festival Institute. In addition to his teaching, Parker maintains a rich performing career as a soloist and chamber musician. He has performed concerti with numerous ensembles including the Dallas Wind Symphony, the Quad City Symphony, the Great Falls Symphony, the Puerto Rico Philharmonic, and the University of Texas Symphony Orchestra.  His solo album, The Singing Oboe, was featured as CD of the week for two consecutive weeks on the Boston classical station 99.5 WCRB. Parker has been principal oboe of the Quad City Symphony for 15 seasons. In addition to his position with the Quad City Symphony, Parker plays English horn at Music in the Mountains and has performed with numerous other orchestras including the National Arts Center Orchestra, the Florida Orchestra, the Orquesta Sinfonica de Mineria, and the Richmond Symphony. He has also performed chamber music in several international festivals including FEMUSC in Brazil, the Aspen Music Festival, the Sarasota Music Festival, the Round Top Festival, Music in the Mountains, and Kinhaven Music School. After receiving his B.M. degree at the Eastman School of Music and M.M. degree at Yale University, he received his Doctorate at the University of Michigan. Parker’s primary teachers have been Richard Killmer, Nancy Ambrose King, and Elaine Douvas.  

Albums

From the Sea to the Stars

Release Date: October 25, 2024
Catalog Number: NV6666
20th Century
21st Century
Chamber
Oboe
Piano
Outside of Russian ballets and Mozart symphonies, the oboe is an instrument that generally does not get a lot of credit. But on FROM THE SEA TO THE STARS, the instrument is thrust into the spotlight it deserves. The driving force? Accomplished American oboists Lindsay Flowers and Andrew Parker. Center stage, it turns out, is a surprisingly merited place for the oboe and its bigger sister, the English horn — especially in contemporary composition. Flowers and Parker have curated a moody selection of beautiful, minimalist pieces that allow the respective instruments to shine on their own — accompanied only here and there by a pleasingly subtle piano. Delicate, lyrical, and utterly charming.