Catalog

Recently named Musical America's 2024 Ensemble of the Year, Donald Nally's chamber choir The Crossing stuns with their latest studio album, WAYS YOU WENT. Vibrant, exhilarating, and uplifting, this new release features original compositions by composers Martin Bresnick and Mason Bates. WAYS YOU WENT is a yin and yang of interconnected opposites. Bresnick's song cycle Self-Portraits 1964 exclusively deals with the life and personality of a single man: young and intellectual, working as a trash collector to put himself through college, and escaping into literature at night. Bates' trilogy Mass Transmission takes a telegraph conversation between mother and daughter in the 1920s and sets it to music, contrasting the warmth of human communication and a mechanistic medium. Both of these cycles, one introspective, the other socially oriented, are snapshots of a time gone by. The Crossing brings both to life with perfect mastery.

FELT, METAL, WOOD, featuring John Mackey’s Concerto for Soprano Saxophone, is a thorough exploration into the many expressive and technical facets of the Saxophone. Mackey, who has garnered widespread critical acclaim as one of today’s leading composers, notes that the saxophone is a hybrid instrument; it is essentially a brass instrument with a woodwind reed. With that in mind, Mackey composed this concerto by focusing several movements on unique characteristics of the instrument.  After the prelude comes “Felt,” a movement focused on the keys of the instrument and all the ways a player can use them as an interface. “Metal,” the third movement, demonstrates the saxophone’s soaring range in a lyrical, introspective manner, while “Wood,” a tango highlighting the saxophone’s strengths in an intimate setting, transitions to an exhilarating display of virtuosity in the “Finale.” Performed by saxophonist Stephen Page and pianist Liz Ames, Mackey stirs a greater appreciation for the versatile instrument in this release.

Saxophonist Dan Goble and pianist Russell Hirshfield join forces on SECOND FLIGHT to deliver virtuosic performances of works by a variety of today’s leading composers, several of them winners of GRAMMY® awards, the Pulitzer Prize, and more. The title track is Joan Tower’s exhilarating sequel to the popular clarinet piece Wings; written explicitly for the saxophone, echoing the grandeur of flight and the vastness of the human spirit. Jennifer Higdon's dynamic Yes, No, Maybe? captivates with its intricate melodies and compelling rhythms, a testament to her mastery of contemporary composition. James David’s Pradakshina: Sonata for Alto Saxophone and Piano takes inspiration from the Buddhist architecture of Colorado’s Great Stupa, finding connection between the seemingly disparate composition and improvisation. Three-time Academy Award winner Philip Glass and Pulitzer Prize for Music laureate John Adams contribute pieces that resonate with depth and humanity, while critically-acclaimed composer David Biedenbender's Images offers a glimpse into the ethereal realms of dreams and imagination. Produced by multiple GRAMMY®-winner Judith Sherman, SECOND FLIGHT unites today’s foremost compositional figures with the inimitable talents of Goble and Hirshfield, who celebrate 20 years of collaboration in the arts with this release.

Society of Composers, Inc. presents 10 works from boundary-defying composers on TRANSITION AND APOTHEOSIS, the 35th installment of their celebrated Composers’ Series. SCI renews its decades-long mission to promote and disseminate contemporary music in this Navona Records release.

The Crossing, conducted by Donald Nally, returns to Navona Records with MOTION STUDIES, performing works by commissioned artist Justine Chen’s Shallow Breath and Stealth and commissioned artist Nicholas Cline’s watershed. Reflecting on a culture where data mining and government traceability have become normalized to the point of population complacency, Chen encapsulates the dissecting points of poet Jena Osman’s musings on the 21st-century reframing of paranoia, privacy, and the pervasive desire to run away from the data that follows us. Evidence of these reflections is present in the tittering, whispering, and often frantic conveyances of the ensemble in an unnerving collection of sequences that paint an antagonistic image of the modern machine. watershed designates motion as boundary rather than as escape: the movement of water as a crux point of political power and community resource. Joined by Matthew Levy on tenor sax, the ensemble ebbs with lap and flow as the American history of water is sung and dictated, leading the question of the damage nationalistic attitudes towards shared water resources have caused to our environment. A 2024 Best Choral Performance GRAMMY® nominee and multi-GRAMMY® winning ensemble, The Crossing continually proves itself to be at the forefront of new choral literature and performance. MOTION STUDIES is a release not to be missed.

What is music but a convergence of story, people, and place? It’s a question that Heidi Radtke’s debut album CONVERGENCE for soprano, alto, and tenor sax asks earnestly, an elegant meshing of the heartbeats behind the sounds of eight living composers, strung together by the laughter and conversation woven into each exploration, and the saxophone’s ability to tell its tale. The full breadth of Radtke’s capability is on display as she navigates the variety of narratives, messages, and sonic uniquities in the landscape of CONVERGENCE, sometimes bolstered forward with a bubbly charm — in the “chicken clucks” of Barry Cockcroft’s Ku Ku — and sometimes with a powerful, reminding grace, — Rahsaan Barber’s Breonna Taylor (How Many More?) – but always with a special musicality. CONVERGENCE explores the intersection of instruments, musical tradition, and the saxophone's ability to explore these soundscapes, especially in the format of saxophone with fixed media. From a reimagination of Debussy to field recordings of natural spaces and sounds taken completely from a cell phone, the fixed media selections boast a wide range of musical styles, but all are connected through storytelling. Ending with the title track, Convergence, Radtke invites the listener to take part in the conversation — the best stories are the ones told together.

Following her first Navona Records release, IKARUS AMONG THE STARS, New York-based composer Debra Kaye has curated an ever-varying mix of chamber and solo pieces with TIME IS THE SEA WE SWIM IN. Kaye’s inspirations are seemingly endless, from the improvisatory piano solo At Liberty (1988) where Kaye returns to her roots as a performer, to the jazzy Colossus 1067 (2021) written to accompany Gus Foster’s time-distorting panoramic photograph taken on a roller coaster with a rotary camera; from current events to the poetry of Zen monks, European Romanticism to a philosophical, even metaphysical meditation on time and the creative process. Kaye’s eclectic collection showcases and reconciles heterogeneous influences by way of a sonic language that is wholly, uncompromisingly her own. Her confident embrace of diverse sounds and styles invite and challenge listeners to join her on this voyage of discovery and dip a toe into this sea that we all swim in.

Fall immersed into a collection of innovative stories and sounds on David Colson’s CONVERSING WITH SPIRITS. Colson’s distinctive push-and-pull textures are both an inviting and invigorating in the aptly named Un raz-de-marée de terreur et de joie (A tidal wave of terror and of joy) for bari sax and marimba, a welcome that drifts into a call back to classical trumpet repertoire: the long lamentations and surges of havoc discovered within Duo for Trumpet and Piano. This being closely followed by Ghost Music, a virtuosic marimba solo featuring Matthew Coley, a composition most reminiscent of uncanny whisperings in shadowy atmospheres—no doubt with a touch of whimsy, and a whimsy that is no stranger to the nature of cats, or more specifically, Cat Tales, a touching tongue-in-cheek collection of saxophone and piano vignettes invoking the personality of eight cats familiar to Colson. The River within Us concludes the collection, an at-once bubbly and fluttering two-movement work featuring the Western Michigan University Percussion Ensemble. Treat yourself to CONVERSING WITH SPIRITS, and enjoy the endless surprises it has to offer.

DANCING IN THE PALM OF GOD'S HAND from J.A. Kawarsky and Navona Records isn't at all a typical worship album; rather, it's a cross section through Kawarsky's oeuvre that encompasses minimalist solo pieces, intimate chamber music, and grand orchestral works. The themes on this album are vast and sweeping, at once lavish and carefully measured, reflecting the great and the minute, like an interplay between human and God. It's an almost philosophical experience, and one needn't be religious to enjoy its uplifting qualities.

Navona Records is proud to present ROMANCE AL CAMPESINO PORTEÑO, an album threading saxophonist José Antonio Zayas Cabán’s childhood memories with music both old and new. The tunes of his childhood and his culture sonically surround a newly-composed piece, the GRAMMY®-nominated El País Invisible, that addresses Puerto Rico’s political status as a commonwealth of the United States Empire. Featuring Miguel Zenón, Ryan Smith, Casey Rafn, and Zayas Cabán himself, ROMANCE AL CAMPESINO PORTEÑO explores the textures of Puerto Rico and Latin America, and the sounds of both struggle and celebration. “ROMANCE AL CAMPESINO PORTEÑO is an artful scream into the void of forgetting,” says essayist Katheryn Lawson. “We hope you will listen. We hope you will remember.”

I GIVE YOU MY HOME is a site-specific chamber opera inspired by Rose Standish Nichols and the Nichols House Museum in Boston MA that premiered June 3, 2022. This elegant new opera paints a portrait of Rose, a professional Bostonian woman, and highlights her professional work as a landscape architect as well as her efforts to affect change through activism in the Women’s Peace Movement and Women’s Suffrage. Soprano Aliana de la Guardia portrays Rose in this opera, and is joined by saxophonist Philipp A. Stäudlin and percussionist Mike Williams.

Miguel Zenón composer and alto saxophone José A. Zayas Cabán soprano saxophone Ryan Smith tenor saxophone Casey Rafn piano EL PAÍS INVISIBLE “happened by accident,” says composer Miguel Zenón, like it was “almost meant to be.” Serendipitously, the project developed when Zenón was wrestling with critical questions about [...]

Composer Peter Dayton and Navona Records present STORIES OUT OF CHERRY STEMS, an album of original vocal chamber music with carefully curated texts spanning multiple centuries. Soprano Katie Procell and numerous selected performers navigate a persistent tension between simplicity and complexity delicately threaded throughout the program, providing a solid stage for the texts of notable poets Pablo Neruda, Oscar Wilde, and more. The strengths of vocal and instrumental chamber music merge into a cohesive powerhouse in this recording, brimming with sung stories that compliment Dayton’s compositional style.

On RISE: MUSIC IN TIMES OF UNCERTAINTY, composer David Colson employs conventional and innovative chamber combinations alike to express a wide array of emotional content. Drawing upon years of experience as a performer, conductor, and composer, his command over the music and ability to adapt is present on each piece. How We Change for brass quintet pays homage to a dear friend with quick-changing tempos and unequal phrases, which represent the flood of emotions caused by sudden loss. The Wind Is Rising, the Earth lets itself be inhaled for bassoon and percussion, simultaneously primitive and cosmic, calls for respect for the earth. The micro-concerto RISE for piano and percussion quartet highlights various percussion elements to emphasize the performers’ skill and versatility. Finally, Dionysian Mysteries, composed freeform with minimal methodology, allows the saxophone quartet to plumb the depths of their instruments’ capabilities to render raw, emotional sound.

WINDPOWER from composer Eric Biddington highlights the versatility of the saxophone through the proficiency and musicality of the players, the Saxcess Quartet, in a collection of 11 original works. With multiple orchestrations and movements spanning 34 tracks, Biddington’s compositions are on full display with works for solo saxophone as well as sax trio and quartet. From tender and emotional to lush and energetic, Biddington’s compositions explore every nook and cranny of musical possibility. The dextrous and emotive performance by the Saxcess Quartet unites the pieces into a whole, providing a pleasing continuity throughout the varied arrangements and orchestrations.

Navona Records presents DASHING VOL. 2, a festive assortment of new classical and jazz arrangements and compositions inspired by staples of the holiday season. Unwrap this gift from Sarah Wallin Huff, Joseph Turrin, Kristina Marinova, Jordan VanHemert, David W. Solomons, Elizabeth J. Start, Alan Rinehart, and Joseph T. Spaniola to find a variety of new works and familiar favorites. All of the traditional holiday sounds are featured in this album, embellished with distinguished compositional twists that complement seasonal standards. Experience the holidays in a refreshing way with reharmonizations of Silent Night, Carol Of The Bells for solo guitar, a jazz arrangement of Christmas Time is Here, and more.

Carl Vollrath’s OLD AND NEW POETRY from Navona Records is a lovingly-prepared setting of the works of seminal poets William Blake and Sara Teasdale, as well as the contemporary writer John Gracen Brown. The verses chosen by Vollrath—including such varied selections as Blake’s “The Fly,” Teasdale’s “Dusk In War Time,” and Brown’s “The Coming of a Summer Rainstorm”—all reflect the composer’s belief in the interdependency of all life on earth. Employing piano, saxophone, and mezzo-soprano, Vollrath thoughtfully pushes tonal boundaries in response to the poetic language.

Two years after the release of SUSTAIN comes the long-anticipated follow-up, SUSTAIN VOL. 2. This fresh collection of works centered around the piano includes a range of contemporary compositional styles: tonal, atonal, and everything in between. This volume features a new cast of composers and performers, with contributions by Sarah Wallin-Huff, Karen Tarlow, Chen-Hsin Su, Bill Sherrill, Jim Puckett, Ron Nagorcka, Gordon Monahan, Kenneth A. Kuhn, Santiago Kodela, John Craven, and John A. Carollo. The album’s varied soundscapes and arrangements—including solo piano, piano and saxophone, and piano and strings—constantly surprise and delight the ear. A fitting sequel to the first installment, SUSTAIN VOL. 2 is steeped in the dynamic complexity piano music offers.

Fusing European and American musical traditions, the album pairs the excitement of rock and jazz rhythms with classical orchestral and chamber music forms.

New from Navona Records is saxophonist José Antonio Zayas Cabán’s CENTENNIAL, an album of cutting-edge solo and chamber music reflecting on the shortcomings of the 19th Amendment during its 100-year anniversary. Rather than celebrating, this album urges listeners to recognize the significant work that remains in achieving global equality.